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Music at Oxford in the Eighteenth and Nineteenth Centuries Susan Wollenberg (Reader and University lecturer on the Faculty of Music, University of Oxford)

Music at Oxford in the Eighteenth and Nineteenth Centuries By Susan Wollenberg (Reader and University lecturer on the Faculty of Music, University of Oxford)

Music at Oxford in the Eighteenth and Nineteenth Centuries by Susan Wollenberg (Reader and University lecturer on the Faculty of Music, University of Oxford)


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Summary

Includes documentary and musical evidence relating to a particularly rich period in the city of Oxford's history. Aspects discussed include concert life, the choral tradition, the gradual establishment of an honours school of music, visiting musicians such as Handel and Haydn, Liszt and Joachim, and more.

Music at Oxford in the Eighteenth and Nineteenth Centuries Summary

Music at Oxford in the Eighteenth and Nineteenth Centuries by Susan Wollenberg (Reader and University lecturer on the Faculty of Music, University of Oxford)

This book is the first survey of its kind and distils a wide range of documentary and musical evidence relating to a particularly rich period in the history of the city of Oxford, embracing both 'town and gown'. The author, a Lecturer in Music in the university, discusses in detail, among other aspects, concert life in Oxford during the eighteenth and nineteenth centuries, when notable visitors to the city included Handel, Haydn, Liszt, and Joachim; the choral tradition; and developments in the university that led to the eventual establishment of an honour school of music. A brief outline of musical activity in Oxford before c.1660 and after c.1914 is also provided. In addition, the author examines the achievements of a number of individual musical personalities, drawing particular attention to the role of William Crotch, Frederick Ouseley, and Hubert Parry in raising the status of music and the music profession. The book makes an important contribution to a number of spheres of enquiry that have developed significantly in recent years: the history of universities, social history of music, and the study of concert life.

Music at Oxford in the Eighteenth and Nineteenth Centuries Reviews

Wollenberg's research on the extensive concert activity in the colleges is particularly valuable, as well as that going on in the downtown independent of the university. Welcome, too, is an openness here to British genres and composers that are normally dismissed from scholarly considerations. * English Historical Review *
A lucidly written survey of the leading aspects of musical life in the city over more than two centuries ... it leads the reader through the old practices of musical life in sympathetic and enlightening fashion. * English Historical Review *

About Susan Wollenberg (Reader and University lecturer on the Faculty of Music, University of Oxford)

University Lecturer in Music, Faculty of Music, University of Oxford (1972- ) Fellow and Tutor in music, Lady Margaret Hall, Oxford (1972- ) Director of Studies in Music, Brasenose College, Oxford (1987- ) Fellow Archivist, Lady Margaret Hall (1986- )

Table of Contents

PREFACE ; BIBLIOGRAPHICAL NOTE ; ABBREVIATIONS ; 1. INTRODUCTION: THE TRADITION BEFORE C.1600 ; 7. MUSIC IN AN ACADEMIC CONTEXT, II ; BIBLIOGRAPHY

Additional information

NPB9780193164086
9780193164086
0193164086
Music at Oxford in the Eighteenth and Nineteenth Centuries by Susan Wollenberg (Reader and University lecturer on the Faculty of Music, University of Oxford)
New
Hardback
Oxford University Press
2001-12-06
276
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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