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History of Art / Design Styles
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On the Study of Indian Art
by Pramod Chandra
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Gutenberg to Plantin
by George Parker Winship
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Spanish Painting and the French Romantics
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Iwo Jima
by Dr Karal Ann Marling (University of Minnesota)
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Italian Sculpture of the Renaissance
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Romanesque Mural Painting of Catalonia
by Charles L Kuhn
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Failure and Success in Equal Parts
by Neil A Miley
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The Unfinished Portrait
by Neil A Miley
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The River of Light
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The Gate To Caesar
by William Collar
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Wordwaves
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Lines on the Landscape
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The Royal Portrait
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The Lock
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Beyond Spice
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American Injustice
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Slayed
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Interpreting the Images of Greek Myths
by Klaus Junker (Johannes Gutenberg Universitat Mainz, Germany)
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Early Hellenistic Portraiture
by Peter Schultz (Concordia College, Moorhead, Minnesota)
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The Death of the Baroque and the Rhetoric of Good Taste
by Vernon Minor (University of Colorado, Boulder)
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Abstract Art Against Autonomy
by Mark A. Cheetham (University of Toronto)
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Sight and Spirituality in Early Netherlandish Painting
by Bret L. Rothstein
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Women and Visual Replication in Roman Imperial Art and Culture
by Jennifer Trimble (Stanford University, California)
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Modern Art and the Grotesque
by Frances S. Connelly (University of Missouri, Kansas City)
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The Social History of Roman Art
by Peter Stewart (Courtauld Institute of Art, London)
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Papacy and Politics in Eighteenth-Century Rome
by Jeffrey Collins (Professor of 17th- and 18th-Century Art and Visual Culture, University of Washington)
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Roman Imperialism and Provincial Art
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German Encounters with Modernism, 1840-1945
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Beyond Aesthetics
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The Furniture and Furnishings of Ancient Greek Houses and Tombs
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Image and Text in Graeco-Roman Antiquity
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The Language of Images in Roman Art
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The Cambridge Companion to Piero della Francesca
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Art and the Culture of Love in Seventeenth-Century Holland
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The Florentine Academy and the Early Modern State
by Karen-edis Barzman (State University of New York, Binghamton)
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The Rhetoric of Power in the Bayeux Tapestry
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White Aborigines
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Wyndham Lewis and the Art of Modern War
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Pausanias' Greece
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Greek Vase-Painting and the Origins of Visual Humour
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Art and Society in Cyprus from the Bronze Age into the Iron Age
by Joanna S. Smith (Princeton University, New Jersey)
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Visualizing Boccaccio
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The Wild Bull and the Sacred Forest
by Peter Mark
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A Bibliography of Salon Criticism in Paris from the July Monarchy to the Second Republic, 1831-1851: Volume 2
by Neil McWilliam
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The Letters of Lucien to Camille Pissarro, 18831903
by Lucien Pissarro
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Byzantine Art and Architecture
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Interpreting Ancient Figurines
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London, Modernism, and 1914
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