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Music and Theatre
by Nigel Fortune
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The Music of Ruth Crawford Seeger
by Joseph N. Straus (City University of New York)
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Faure and French Musical Aesthetics
by Carlo Caballero (University of Colorado, Boulder)
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Music and Language
by Thrysabulos Georgiades
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The Science of Harmonics in Classical Greece
by Andrew Barker (University of Birmingham)
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Henry Purcell
by Martin Adams (Trinity College, Dublin)
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Music and Theatre from Poliziano to Monteverdi
by Nino Pirrotta
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Music and the French Revolution
by Malcolm Boyd
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Music Criticism in Nineteenth-Century France
by Katharine Ellis (Royal Holloway, University of London)
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Opera and the Enlightenment
by Thomas Bauman (Northwestern University, Illinois)
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Monteverdi
by Paolo Fabbri
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Russians on Russian Music, 1830-1880
by Stuart Campbell
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Music and Text
by Steven Paul Scher
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Schubert, Muller, and Die schoene Mullerin
by Susan Youens (University of Notre Dame, Indiana)
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Music and the Origins of Language
by Downing A. Thomas (University of Iowa)
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Putting Popular Music in its Place
by Charles Hamm (Dartmouth College, Vermont)
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Reading Renaissance Music Theory
by Cristle Collins Judd (Dean for Academic Affairs, University of Pennsylvania)
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German Opera
by John Warrack (University of Oxford)
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The Music of Harrison Birtwistle
by Robert Adlington (University of Nottingham)
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The Careers of British Musicians, 1750-1850
by Deborah Rohr (Skidmore College, New York)
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Roger North's The Musicall Grammarian 1728
by Roger North
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Music and Performance during the Weimar Republic
by Bryan Randolph Gilliam (Duke University, North Carolina)
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Perspectives on Musical Aesthetics
by John Rahn
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A Guide to Musical Analysis
by Nicholas Cook (University of London)
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The World of the Bach Cantatas
by Christoph Wolff (Harvard University)
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The Trumpet and Trombone
by Philip Bate
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The Creative World of Mozart
by Paul Henry Lang
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Beatles Every Little Thing
by Maxwell MacKenzie
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Mother of Rock (16pt Large Print Edition)
by Robert Milliken
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Grand Opera Outside Paris
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Musical Creativity Revisited
by Oscar Odena
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Aural Architecture in Byzantium: Music, Acoustics, and Ritual
by Bissera Pentcheva (Stanford University, USA)
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Bob Dylan, Bruce Springsteen, and American Song
by Larry David Smith
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All Made of Tunes
by J. Peter Burkholder
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Ask Me Now
by Sascha Feinstein
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The Pianist's Bookshelf
by Maurice Hinson
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Intimacy, Performance, and the Lied in the Early Nineteenth Century
by Jennifer Ronyak
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Children's Home Musical Experiences Across the World
by Beatriz Ilari
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Planning Your Piano Success
by Stewart Gordon (Professor of Keyboard Studies, Professor of Keyboard Studies, USC Thornton School of Music)
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Understanding Sound Tracks Through Film Theory
by Elsie Walker (Associate Professor of Film Studies, Associate Professor of Film Studies, Salisbury University)
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Experience and Meaning in Music Performance
by Martin Clayton (Professor in Ethnomusicology, Professor in Ethnomusicology, Durham University)
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Germany in the Loud Twentieth Century
by Florence Feiereisen (Assistant Professor of German, Assistant Professor of German, Middlebury College)
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The Oxford Handbook of the New Cultural History of Music
by Jane F. Fulcher (Professor of Musicology, Professor of Musicology, University of Michigan)
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The Revolution Will Not Be Televised
by Noriko Manabe (Assistant Professor, Assistant Professor, Princeton University)
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The Art of the Trumpet-Maker
by Robert Barclay (Senior Conservator, Ethnology, Senior Conservator, Ethnology, Canadian Conservation Institute, Ottawa)
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Researching the Song
by Shirlee Emmons
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The Composer as Intellectual
by Jane Fulcher
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Oh Joy! Oh Rapture!
by Ian Bradley (Reader in Practical Theology and Church History, School of Divinity, Reader in Practical Theology and Church History, School of Divinity, University of St Andrews)
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