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Theatre in the United States: Volume 1, 1750-1915: Theatre in the Colonies and the United States
by Barry B. Witham (University of Washington)
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The Medieval European Stage, 500-1550
by William Tydeman (University of Wales, Bangor)
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National Theatre in Northern and Eastern Europe, 1746-1900
by Laurence Senelick
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German and Dutch Theatre, 1600-1848
by George W. Brandt
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Theatre and Citizenship
by David Wiles (Royal Holloway, University of London)
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Actors and Acting in Shakespeare's Time
by John H. Astington (University of Toronto)
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Re-playing Shakespeare in Asia
by Poonam Trivedi
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Pregones Theatre
by Eva Cristina Vasquez
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Religion, Theatre, and Performance
by Lance Gharavi
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Feminist Visions and Queer Futures in Postcolonial Drama
by Kanika Batra (Texas Tech University, Texas, USA)
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The Provocation of the Senses in Contemporary Theatre
by Stephen Di Benedetto
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Dissidence and Literature Under Nero
by Vasily Rudich (Yale University, USA)
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Bizarre Behaviours (Psychology Revivals)
by Herschel Prins
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Kinship and Performance in the Black and Green Atlantic
by Kathleen Gough (University of Vermont, USA)
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Directions for Directing
by Avra Sidiropoulou
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Stanislavsky in Focus
by Sharon Marie Carnicke
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Theatre Arts on Acting
by Laurence Senelick (Tufts University, USA)
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Theatre Arts on Acting
by Laurence Senelick (Tufts University, USA)
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Popular Culture and Nationalism in Lebanon
by Christopher Stone (City University of New York, USA)
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What's the Story
by Anne Bogart
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The Illuminated Theatre
by Joe Kelleher
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How to Read a Play
by Damon Kiely
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African Accents
by Beth McGuire
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The Casting Handbook
by Suzy Catliff
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Reading Contemporary Performance
by Gabrielle Cody (Vassar College, USA)
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Performance in the Twenty-First Century
by Andy Lavender
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Notes From An Odin Actress
by Julia Varley (Odin Teatret, Holstebro, Denmark)
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The Theatre and the State in Singapore
by Terence Chong
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Acting: The First Six Lessons
by Richard Boleslavsky
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Development Dramas
by Dia da Costa
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The Lee Strasberg Notes
by Martin Sheen
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The Contemporary Ensemble
by Duska Radosavljevic
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The Unwritten Grotowski
by Kris Salata
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Stanislavsky: A Life in Letters
by Laurence Senelick (Tufts University, USA)
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Embodied Acting
by Rick Kemp
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Dramas of the Past on the Twentieth-Century Stage
by Alexander Feldman
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Requiem and an Epilogue
by Glynne Wickham
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Social Works
by Shannon Jackson
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Yevgeny Vakhtangov
by Andrei Malaev-Babel
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On the Art of the Theatre
by Edward Gordon Craig
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Theatre and Performance in Digital Culture
by Matthew Causey
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Elite Theatre in Ming China, 1368-1644
by Grant Guangren Shen (National University of Singapore, Singapore)
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Makers of Modern Theatre
by Robert Leach
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Leading Creators of Twentieth-Century Czech Theatre
by Jarka M. Burian
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The Performance Arts in Africa
by Frances Harding
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Performance and Evolution in the Age of Darwin
by Jane Goodall (University of Western Sydney, Australia)
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Shakespeare and Modern Theatre
by Michael Bristol
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A Sourcebook on African-American Performance
by Annemarie Bean
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