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The Moving Statues of Seventeenth-Century Amsterdam Angela Vanhaelen (Associate Professor of Art History, Department of Art History and Communication Studies, McGill University)

The Moving Statues of Seventeenth-Century Amsterdam By Angela Vanhaelen (Associate Professor of Art History, Department of Art History and Communication Studies, McGill University)

The Moving Statues of Seventeenth-Century Amsterdam by Angela Vanhaelen (Associate Professor of Art History, Department of Art History and Communication Studies, McGill University)


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Summary

Explores the visual and cultural history of Amsterdam in the early modern era, focusing on the doolhoven: winding mazes behind pubs and taverns that featured pleasure gardens, waterworks, wax galleries, and automata.

The Moving Statues of Seventeenth-Century Amsterdam Summary

The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths by Angela Vanhaelen (Associate Professor of Art History, Department of Art History and Communication Studies, McGill University)

This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven.

Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardenswhere drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifactsshows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.

Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.

The Moving Statues of Seventeenth-Century Amsterdam Reviews

This valuable book, written in an engaging storytelling mode that never sacrifices rigor, teaches us much that we did not know about Amsterdams doolhoven. Before its publication, those enriched, dynamic display environments were nearly lost to us. Now, thanks to Vanhaelen, we at last have a clear vision of them.

Arthur Di Furia The Historians of Netherlandish Art


A fascinating and convincing exploration of an undeservedly forgotten phenomenon, and a challenge to re-examine our perceptions of the Dutch Golden Age.

Kirsten Tambling Apollo Magazine


Vanhaelens book, like the doolhof itself, is full of so many surprises that simply are too good to give away...

Christopher Heuer Architectural Histories


The Moving Statues of Seventeenth-Century Amsterdamis an entirely original study ofAmsterdams pleasure palaces, or doolhoven, and afascinating read that delights and instructs in a manner akin to the spaces itdeftlyanalyzes. Vanhaelens text considers courtyard fountains, labyrinths, automata, waxworks, and clockworks, moving beyond standarddescriptions of wonder to reflect on the nature of the city, the body, and knowledge itself in the earlymodern period.

Stephanie Porras,author of Pieter Bruegels Historical Imagination


The Moving Statues of Seventeenth-Century Amsterdam is highly original and will be fascinating to almost everyone with an interest in early modern visual culture. The book guides the reader on a dazzling tour with surprises at every corner. This fascinating study reveals the early modern park of public entertainment as a site of learning and lively debate.

Hanneke Grootenboer,author of The Pensive Image: Art as a Form of Thinking


The Moving Statues of Seventeenth-Century Amsterdam articulates a position that becomes increasingly convincing as one wanders further into the book. An amazing study about mazes indeed.

Joseph Wachelder Technology and Culture


This valuable book, written in an engaging storytelling mode that never sacrifices rigor, teaches us much that we did not know about Amsterdams doolhoven. Before its publication, those enriched, dynamic display environments were nearly lost to us. Now, thanks to Vanhaelen, we at last have a clear vision of them.

Arthur Di Furia The Historians of Netherlandish Art


A fascinating and convincing exploration of an undeservedly forgotten phenomenon, and a challenge to re-examine our perceptions of the Dutch Golden Age.

Kirsten Tambling Apollo Magazine


Vanhaelens book, like the doolhof itself, is full of so many surprises that simply are too good to give away...

Christopher Heuer Architectural Histories


The Moving Statues of Seventeenth-Century Amsterdamis an entirely original study ofAmsterdams pleasure palaces, or doolhoven, and afascinating read that delights and instructs in a manner akin to the spaces itdeftlyanalyzes. Vanhaelens text considers courtyard fountains, labyrinths, automata, waxworks, and clockworks, moving beyond standarddescriptions of wonder to reflect on the nature of the city, the body, and knowledge itself in the earlymodern period.

Stephanie Porras,author of Pieter Bruegels Historical Imagination


The Moving Statues of Seventeenth-Century Amsterdam is highly original and will be fascinating to almost everyone with an interest in early modern visual culture. The book guides the reader on a dazzling tour with surprises at every corner. This fascinating study reveals the early modern park of public entertainment as a site of learning and lively debate.

Hanneke Grootenboer,author of The Pensive Image: Art as a Form of Thinking


The Moving Statues of Seventeenth-Century Amsterdam articulates a position that becomes increasingly convincing as one wanders further into the book. An amazing study about mazes indeed.

Joseph Wachelder Technology and Culture

About Angela Vanhaelen (Associate Professor of Art History, Department of Art History and Communication Studies, McGill University)

Angela Vanhaelen is Professor of Art History at McGill University. She is the author of the award-winning book The Wake of Iconoclasm: Painting the Church in the Dutch Republic, also published by Penn State University Press.

Additional information

NGR9780271091600
9780271091600
0271091606
The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths by Angela Vanhaelen (Associate Professor of Art History, Department of Art History and Communication Studies, McGill University)
New
Paperback
Pennsylvania State University Press
2023-03-21
236
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a new book - be the first to read this copy. With untouched pages and a perfect binding, your brand new copy is ready to be opened for the first time

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