Landscape, textiles, plant-forms, the mysterious taxonomies of perfume are here themes for poetry that works the edge between lyric consonance and radical disjuncture. Three Reds, Anna Reckin's first book-length collection, draws on materials from China, Australia, Portugal and her native East Anglia to produce poems whose emotional complexities surface in the push and pull of sound patterns and visual design, and in the gaps and overlaps of words' makings and their givens.