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How to Make Tea Brian R. Keating

How to Make Tea By Brian R. Keating

How to Make Tea by Brian R. Keating


£6.20
New RRP £12.99
Condition - Like New
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Summary

How do you like your tea? This book lays out the principles for the tea-loving nonscientist; extract the best from every cup.

How to Make Tea Summary

How to Make Tea: The Science Behind the Leaf by Brian R. Keating

How do you like your tea? An ethereal infusion, the ghost of a scent wafting across your taste buds? Or a mug of traditional brew, so strong that a spoon can stand up in it? Weve been drinking tea for thousands of years, yet few of us realize that all teafrom elegant lapsang to pungent pu-erhcome from the same source. The taste is down to science: geography, chemistry, and physics, the application of heat and pressure, and the magic of time and enzymes. How to Make Tea lays out the principles for the tea-loving nonscientist; extract the best from every cup.

About Brian R. Keating

Brian R. Keating has been a pioneer in tea research working with chefs, beverage scientists, and shop owners for over thirty-five years. He is the founder of Sage Group, a Seattle- based natural products consultancy and tea think-tank. As its first tea buyer and blend-master, Keating guided the world's largest natural foods retailer, Whole Foods Market, in establishing its own tea division and brands. Kim Long is a writer, researcher, graphic artist, and photographer based in Denver. Together, Long and Brian Keating have contributed to various business publications focused on the specialty tea industry, including multiple editions of the Specialty Tea Is Hot Report.

Additional information

GOR008334635
9781782402756
1782402756
How to Make Tea: The Science Behind the Leaf by Brian R. Keating
Used - Like New
Hardback
The Ivy Press
2015-08-26
160
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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