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A History of Video Art Chris Meigh-Andrews

A History of Video Art By Chris Meigh-Andrews

A History of Video Art by Chris Meigh-Andrews


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Summary

Covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice with that of independent film-making and photography. This work is intended for those with an interested in art history and contemporary art practice.

A History of Video Art Summary

A History of Video Art: The Development of Form and Function by Chris Meigh-Andrews

A History of Video Art is a critical introduction and guide to artists' video. It covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history. A History of Video Art also sets its analysis of artistic practice firmly within the context of both the development of electronic imaging technology and the changing political and social climate. Richly illustrated, the book is essential reading for anyone interested in art history and contemporary art practice.

A History of Video Art Reviews

'A History of Video Art does an excellent job of structuring a very complex field of activity, and one which defies any single history or approach. It will be of use to students in art and media, as a critical and historical introduction to this diverse field, as well as to general readers looking for a readable, concise, informative and generous guide to new media art.' A.L. Rees, Royal College of Art

About Chris Meigh-Andrews

Chris Meigh-Andrews is Reader in Electronic & Digital Art at the University of Central Lancashire. A practising artist specialising in electronic & digital media, he has been exhibiting internationally for almost 30 years.

Table of Contents

PART 1. THE ORIGINS OF VIDEO ART: THE HISTORICAL AND CULTURAL CONTEXT. 1. In The Beginning: The Origins of Video Art. 2. Crossing Boundaries: International Tendencies and Influences in Early Artists' Video. 3. Technology, Access and Context: Social and Political Activists and Their Role in the Development of Video Art. 4. Expanded Cinema: The Influence and Relationship of Experimental, Avant-Garde and "Underground" Film. 5. Musique Concrete, Fluxus and Tape Loops: The Influence of Sound Recording and Experimental Music. 6. Theory and Practice: The Impact of Theoretical ideas on Early Technology Based Practice. 7. Beyond the Lens: Abstract Video Imagery and Image Processing. PART 2: SOME REPRESENTATIVE AND INFLUENTIAL VIDEO ART WORKS AND THEIR TECHNOLOGICAL AND CRITICAL CONTEXT. 8. In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video. 9. Cutting It: Accessible Video Editing. 10. Mixing it: Electronic/Digital Image Manipulation. 11. The Gallery Opens its Doors: Video Installation and Projection. PART 3: THE DEVELOPMENT OF ARTISTS' VIDEO AND INSTALLATION IN RESPONSE TO TECHNOLOGICAL CHANGE AND ACCESSIBILITY 12. Fields, Lines & Frames: Video as an Electronic Medium. 13. The Means of Production: Feminism, Race, Gender, Technology and Access. 14. Off the Wall: Video Sculpture and Installation. 15. Going Digital: The Emergence of Digital Video Processing and Effects. 16. The End of Video Art? PART 4. REFERENCES

Additional information

GOR008184644
9781845202194
1845202198
A History of Video Art: The Development of Form and Function by Chris Meigh-Andrews
Used - Very Good
Paperback
Bloomsbury Publishing PLC
2006-10-01
342
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

Customer Reviews - A History of Video Art