Contents
Preface
Acknowledgments
Introduction
Chapter 1 Basics of Cinematography
- Film Formats
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- Videotape Formats
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- Sync Speed
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- Sync and MOS
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- Film Stock
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- Types of Film
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- Reversal Film
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- Film Speed
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- Aspect Ratios
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- F-Stops and T-Stops
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- Exposure Time
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- Exposure Meters
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- Color Temperature and Color Balance
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- The Camera
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- Filters
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- Camera Mounts
Chapter 2 The Camera Department
- Film Productions
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- SD or HD Video Productions
Chapter 3 Second Assistant Cameraman (2nd AC)
- Preproduction
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- Production
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- Postproduction
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- Working in SD/HD Video
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- Review Checklist for Second Assistant Cameraman (2nd AC or Clapper/Loader)
Chapter 4 First Assistant Cameraman (1st AC)
- Preproduction
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- Production
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- Postproduction
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- Working in SD or HD Video
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- Review Checklist for First Assistant Cameraman (1st AC or Focus Puller)
Chapter 5 Problems and Troubleshooting
- Camera Will Not Run
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- Camera Does Not Stop When Switched to "Off"
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- Camera Starts and Stops Intermittently
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- Camera Is Noisy
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- Shutter Does Not Spin (No Flicker Through the Viewfinder)
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- Unable to Thread Film into the Gate Area
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- Film Does Not Take Up
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- Camera Door Does Not Close
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- Camera Stops While Filming
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- Film Jams in Camera
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- Camera Does Not Run at Sync Speed
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- Viewing System Is Blacked Out
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- A Fuse Blows When Connecting Electrical Accessories
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- When Shooting a Television Monitor or Computer Screen, a Roll Bar Moves
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- Through the Screen
- Magazine Is Noisy
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- Film Rips or Has Torn Perforations
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- Film Loses Loop
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- There Are Scratches on the Film
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- Lens Will Not Focus
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- Image Is Fogged When Looking Through Viewfinder
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- Zoom Lens Motor Runs Erratically
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- Zoom Lens Does Not Zoom Throughout Its Entire Range of Focal Lengths
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- Lens Flares Are Seen When Looking Through the Viewfinder
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- Battery Loses Power
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- Image on Video Monitor Is Out of Focus or Is Tilted to the Side
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- Tripod Head Does Not Pan or Tilt
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- Tripod Legs Do Not Slide Up or Down
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- Shooting in Extreme Cold Weather
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- Shooting in Extreme Heat
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- Filming in or Around Salt Water and Camera and Magazine Fall into the Water
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- Shooting Outside Using Tungsten Balanced Film Without an 85 Filter
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- Shooting Inside with Tungsten Light Using Daylight Balanced Film Without an
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- 80A Filter
- Projected Image Is Shaky or Unsteady
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- Projected Image Is Out of Focus
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- Projected Image Contains Spots or Lines
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- Image Is Not Aligned During the Video Transfer
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- Shooting in Other Countries
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- Troubleshooting Tips
Chapter 6 Film Cameras
- Aaton A-Minima
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- Aaton Xtera and XTR-Prod
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- Aaton 35-III
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- Arriflex 16BL
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- Arriflex 16S/SB
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- Arriflex 16 SR1, 16 SR2, and 16 SR3
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- Arriflex 416
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- Arriflex Arricam Lite (LT)
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- Arriflex Arricam Studio (ST)
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- Arriflex 235
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- Arriflex 535A and 535B
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- Arriflex 435
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- Arriflex 35BL3 and 35BL4
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- Arriflex 35-3
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- Arriflex 765
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- Bell & Howell Eyemo
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- Moviecam Compact and Moviecam Super America
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- Moviecam SL
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- Panavision Panaflex 16
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- Panavision Panaflex Golden and GII
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- Panavision Panaflex Millennium and Millennium XL
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- Panavision Panaflex Platinum
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- Panavision Panaflex X
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- Panavision Panastar I and Panastar II
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- Panavision Panaflex 65
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- Panavision 65mm High Speed
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- Panavision 65mm Hand-Held
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- Photo-Sonics Actionmaster 500
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- Photo-Sonics 1VN
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- Photo-Sonics 35-4B/4C
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- Photo-Sonics 35-4E/ER
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- Photo-Sonics 35-4ML
Chapter 7 Before, During, and After the Job
- Union or Nonunion
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- Before the Job
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- During the Job
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- After the Job
Appendix A Film Stock
Appendix B Equipment
- Cameras
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- Camera Lenses and Accessories
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- Camera Filters
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- Heads and Tripods
Appendix C Camera Department Checklists, Production Forms, and Labels
- Forms and Checklists
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- Camera Equipment Checklist
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- Filters Checklist
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- Expendables Inventory and Checklist
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- Camera Prep Checklist
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- Equipment Received Log
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- Returned Equipment Log
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- Missing or Damaged Equipment Log
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- Job Information Form
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- Film Camera Report
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- Film Developing Purchase Order
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- Video Camera Report
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- Daily Film Inventory Form #1
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- Daily Film Inventory Form #2
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- Short End Inventory Form
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- Raw Stock Inventory Form
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- Camera Department Log Sheet
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- Film Stock Request Form
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- Videotape Request Form
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- Camera Department Weekly Time Sheet
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- Personal Time Sheet and Invoice
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- Camera Department Deal Memo
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- Box/Equipment Rental Agreement
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- Camera Department Contact List
- Labels
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- Film Can Developing Label
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- Short End Label
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- Recan Label
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- X-Ray Warning Label
Appendix D Tools and Accessories
- AC Tools and Accessories
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- Expendables
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- Miscellaneous Items
Appendix E Tables and Formulas
- Tables
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- Film Speed Comparisons
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- Standard Feet per Minute and Frames per Foot at 24 Frames per Second
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- Intermediate F-Stop Values
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- F-Stop Compensation When Using Filters
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- F-Stop Compensation When Using Filters for Black and White
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- F-Stop Compensation for Changes in Frames per Second
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- F-Stop Compensation for Changes in Shutter Angle
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- Hyperfocal Distances
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- Feet per Second and Feet per Minute
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- Running Time to Film Length and Film Length to Running Time
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- Feet to Meters and Meters to Feet
- Formulas
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- Depth of Field-Near
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- Depth of Field-Far
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- Hyperfocal Distance
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- Electrical
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- Exposure Time
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- F-Stop
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- Feet per Minute for 16mm
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- Feet per Minute for 35mm 3-Perf Format
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- Feet per Minute for 35mm 4-Perf Format
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- Screen Time
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- Feet and Inches to Meters
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- Meters to Feet and Inches
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- Millimeters to Inches
Appendix F Resources
- Camera Manufacturers, Rentals, and Sales
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- Camera Support Equipment
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- Expendables and Supplies
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- Film Laboratories
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- Film Raw Stock
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- Filters
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- Miscellaneous Equipment and Supplies
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- Professional Organizations, Guilds, and Unions
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- Miscellaneous Web Sites
Recommended Reading
Glossary
Index