The second edition of Art History: The Basics continues the authors investments in making art history accessible to a variety of 21st-century readers. Clear and cogent, it reconsiders who and what "the basics" of art history are by freshening up the canon of intellectual debates, methodologies, and interpretations that form art historys discourse in the west and incorporating more recent and urgent conversations about gender, sexual orientation, de-colonialization, and "otherness" that continue to impact the discipline in radical and transformative ways. Predicating a text on a transformative model, as Newall and Pooke have done, reminds readers that art history is an inherently living discourse demanding new revisions as it adheres to new and changing contexts now and into the future.
Jordan Amirkhani, Professorial Lecturer in Modern and Contemporary Art History, American University, Washington, DC
Few art history textbooks today address so comprehensively the underlying issues and histories of art history the way this book does. Without a doubt, this book is the new companion of every serious art history professor and instructor.
May F. El-Hage, art historian and curator, Beirut, Lebanon
The second edition of Art History: The Basics continues the authors investments in making art history accessible to a variety of 21st-century readers. Clear and cogent, it reconsiders who and what "the basics" of art history are by freshening up the canon of intellectual debates, methodologies, and interpretations that form art historys discourse in the west and incorporating more recent and urgent conversations about gender, sexual orientation, de-colonialization, and "otherness" that continue to impact the discipline in radical and transformative ways. Predicating a text on a transformative model, as Newall and Pooke have done, reminds readers that art history is an inherently living discourse demanding new revisions as it adheres to new and changing contexts now and into the future.
Jordan Amirkhani, Professorial Lecturer in Modern and Contemporary Art History, American University, Washington, DC
Few art history textbooks today address so comprehensively the underlying issues and histories of art history the way this book does. Without a doubt, this book is the new companion of every serious art history professor and instructor.
May F. El-Hage, art historian and curator, Beirut, Lebanon
Art History: The Basics is a highly practical source book for students and scholars, which ambitiously attempts to answer the question: 'What is art history?'. Covering a broad spectrum of key philosophical debates, it is nevertheless written in clear, accessible language. The subject is refreshingly presented as evolving and dynamic and the new edition includes sections on urgent contemporary issues such as the Black Lives Matter movement and recent global perspectives. This is a welcome addition to the bookshelf for students, art historians and general readers.
Katie Hill, Programme Director, MA Modern and Contemporary Asian Art, Sotheby's Institute of Art
Newall and Pooke completed the second edition of Art History: The Basics in the middle of the global outbreak of the pandemic. In such a daunting and critical moment, this book first and foremost addresses two urgent questions: What is the relevance of art to the evolution of our civilization? How has art history been shaped by the turbulent events in human society? At a time when the history is being rewritten, Newall and Pookes book reinforces the necessity, more than ever, of understanding that art, as a form of expression, enables us to explore new ways of perceiving the world, and that artists, as creators, shaped and advanced art history: so it expands and continues.
Kejia Wu, Faculty Member, Claremont Graduate University; Columnist, the Chinese Edition of the Financial Times.
The new and revised edition of Newall and Pookes textbook not only introduces the reader to what actually constitutes the history of art, but also shows how the discipline has developed and changed through critical interventions into the subject from the social history of art through to postcolonialism. As such, it is essential reading for students studying the history of art or anyone else with an interest in the subject.
Warren Carter, Lecturer in Art History, The Open University, UK
