Best-known for her ambitious sculptural works, this volume explores how Alison Wildings compelling drawing and extensive use of collage have been integral to her development for five decades. Whilst sharing affiliations with Wildings three-dimensional work, the artists drawings often in series expand upon her investigation of surface by using a distinctive formal language. The works are characterised by a strong interplay between representation and metaphor, incorporating a range of materials from ink to silicone fluid to visualise and test ideas of mass and depth.
Alongside essays by Anna Lovatt and Penelope Curtis, and an in-conversation with the artist by Rosie Cooper, this full-colour survey of over 300 illustrations offers the opportunity to track subtle correspondences in forms and concepts between historic and recent series of works. This publication was conceived by gallerist and Ridinghouse founder Karsten Schubert.