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Berlioz and His World Francesca Brittan

Berlioz and His World By Francesca Brittan

Berlioz and His World by Francesca Brittan


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Berlioz and His World Summary

Berlioz and His World by Francesca Brittan

A collection of essays and short object lessons on the composer Hector Berlioz, published in collaboration with the Bard Music Festival.

Hector Berlioz (18031869) has long been a difficult figure to place and interpret. Famously, in Richard Wagners estimation, he hovered as a transient, marvelous exception, a composer woefully and willfully isolated. In the assessment of German composer Ferdinand Hiller, he was a fleeting comet who does not belong in our musical solar system, the likes of whom would never be seen again. For his contemporaries, as for later critics, Berlioz was simply too strangeand too noisy, too loud, too German, too literary, too cavalier with genre and form, and too difficult to analyze. He was, in many ways, a composer without a world.

Berlioz and His World takes a deep dive into the composers complex legacy, tracing lines between his musical and literary output and the scientific, sociological, technological, and political influences that shaped him. Comprising nine essays covering key facets of Berliozs contribution and six short object lessonsmeant as conversation starters, the book reveals Berlioz as a richly intersectional figure. His very difficulty, his tendency to straddle the worlds of composer, conductor, and critic, is revealed as a strength, inviting new lines of cross-disciplinary inquiry and a fresh look at his European and American reception.

About Francesca Brittan

Francesca Brittan is associate professor of music at Case Western Reserve University. She is the author of Music and Fantasy in the Age of Berlioz and coeditor of The Attentive Ear: Sound, Cognition, and Subjectivity, 18001930. She serves as coeditor of the Journal of Musicology and general editor of the series Recent Researches in Nineteenth- and Twentieth-Century Music for A-R Editions. Sarah Hibberd is the Stanley Hugh Badock Chair of Music at the University of Bristol. She is the author of French Grand Opera and the Historical Imagination and coeditor of Music and the Sonorous Sublime in European Culture, 16801880. She serves as coeditor of the Cambridge Opera Journal and is on the editorial board of Music & Letters.

Table of Contents

Permissions and Credits
Acknowledgments
Introduction: Berlioz and the Pantheon / Francesca Brittan and Sarah Hibberd

ESSAYS I
The Language of Prophecy in Les Troyens / Sarah Hibberd
Ossianic Sounds: Berlioz on Memory / Carmel Raz
Berlioz contra Rousseau: Nature, Culture, and la musique descriptive / Alexandra Kieffer

OBJECT LESSONS I
Berliozs Virgil / Ellen Lockhart
Inevitable Antagonists: Berlioz and Donizetti / Roger Parker
Hearing the Hostias, Rehearing the Requiem / Jennifer Walker

ESSAYS II
Orchestral Futurisms: Berlioz and Science Fiction / Francesca Brittan
Passing the Baton: Conducting Masculinity in La damnation de Faust / Inge van Rij
On Berliozs Subterranean Operations: Toward a Nineteenth-Century Media Logic / Shaena B. Weitz

OBJECT LESSONS II
Euphonian Sound and Fury, Signifying Something / Benjamin Walton
Berlioz: Conductor and One-Man Band / Jacek Blaszkiewicz
Je crois en vous / Nathan Dougherty

ESSAYS III
American Episodes in the Life of the Artist / Jonathan Kregor
A Comet in the Musical Sky: Ferdinand Hiller on Hector Berlioz / Ralph P. Locke and Jurgen Thym
Intimate Beauty and Sublime Grandeur: Sound and Space in the Music of Berlioz / Leon Botstein

Index
Notes on the Contributors

Additional information

NGR9780226837666
9780226837666
0226837661
Berlioz and His World by Francesca Brittan
New
Paperback
The University of Chicago Press
2024-08-05
352
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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