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The Woman Who Always Loved Picasso Julia Blackburn

The Woman Who Always Loved Picasso By Julia Blackburn

The Woman Who Always Loved Picasso by Julia Blackburn


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New RRP £9.99
Condition - Like New
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Summary

42 lively, funny, moving and erotic poems written in the voice of Picasso's young mistress Marie Therese, with illustrations by Jeff Fisher.

The Woman Who Always Loved Picasso Summary

The Woman Who Always Loved Picasso by Julia Blackburn

Marie-Therese Walter was seventeen when she met Picasso. He was forty-six. These poems - as simple and direct as quick sketches - use her voice to tell the story of the relationship with Picasso and what it meant to her from its first beginnings, until the day on which she took her own life, three years after his death. The poems illuminate his love for a woman who was, as John Berger says, 'the sexually most important affair of his life'; they also, perhaps, make sense of Marie-Therese's love for him. Jeff Fisher's drawings animate the vivid voice of Marie-Therese, created with great immediacy by Julia Blackburn.

About Julia Blackburn

Julia Blackburn is the daughter of the poet Thomas Blackburn and the painter Rosalie de Meric. She has written two novels (both shortlisted for the Orange Prize), a memoir The Three of Us (winner of the JR Ackerley Award), a collection of poems, Murmurations of Love, Grief and Starlings (Full Circle, 2015) and nine works of non-fiction of which the most recent, Time Song, was published by Cape in 2019. She lives in Suffolk and in Italy.

Additional information

GOR010534688
9781784109189
1784109185
The Woman Who Always Loved Picasso by Julia Blackburn
Used - Like New
Paperback
Carcanet Press Ltd
20191212
64
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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