Contents
Introduction
Karen L. Edwards, Derek Ryan, Jane Spencer
Part I Testing Metaphor1. Entities in the World: Intertextuality in Medieval Bestiaries and Fables
Carolynn Van Dyke
2. Una's 'Milkewhite Lambe'
Karen L. Edwards
3. Behn's Beasts: Aesop's Fables and Surinam's Wildlife in Oroonoko
Jane Spencer
Part II Plotting Agency
4. Shakespeare's Animal Parts
Philip Armstrong
5. Exit Pursuing a Human: Performing Animals on the Early Modern Stage
Andy Kesson
6. Collaborative Agency: Animals in Hardy's Rural Novels
Virginia Richter
Part III Inscribing Voice
7. Counting Animals: Nonhuman Voices in Lear and Carroll
Kaori Nagai
8. 'What am I?': Locating the Indeterminate Voices of Ted Hughes's Animal Poems
Carrie Smith
9. Thou, Spotted Eros: Love Poetry, Taxonomy, and the Erotics of Adamic Naming
Matthew Margini
Part IV Exploiting Bodies10. The Hunting of the Hare: Female Virtue and Companionate Marriage in Henry Fielding's Joseph Andrews and Tom Jones
Adela Ramos
11. Filth and Fat and Blood and Foam: Animal Capital, Commodified Meat, and the Human in Great Expectations
Jennifer McDonell
12. Fiction, Fashion, and the Victorian Fur Seal Hunt
John Miller
Part V Loving Dogs
13. Animal Intimacies: Cross-Species Affect and the Lapdog Lyric
Laura Brown
14. Anthropomorphism, Personification and Humanization in William Wordsworth's Dog Poems
James P. Carson
15. Was it Flush, or was it Pan?: Virginia Woolf, Ethel Smyth, and Canine Biography
Derek Ryan