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Ken C. Pohlmann is a professor at the University of Miami in Coral Gables, and the director of the Music Engineering program in the universitys School of Music. He has initiated new undergraduate and graduate courses in acoustics and psychoacoustics, digital audio, advanced digital audio, Internet audio and studio production and in 1986 founded the first Masters degree program in Music Engineering in the United States. Mr. Pohlmann is also president of Hammer Laboratories, a company devoted to the research, development and testing of new audio technology. He serves as a consultant in the design of digital audio systems, the development of sound systems for automobile manufacturers, and as an expert witness in technology and patent litigation. Some of his consulting clients include: Alpine Electronics, Bertlesmann Music Group, Blockbuster Entertainment, Baker & McKenzie, BMW, Canadian Broadcasting Corporation, DaimlerChrysler, Fish & Neave, Ford Motor Company, Fujitsu Ten, Harman International, Hughes Electronics, Hyundai, IBM, Lexus, Microsoft, Motorola, Nippon Columbia, Onkyo America, Philips, RealNetworks, Recording Industry Association of America, Sensormatic, Sonopress, Sony, TDK, Time Warner, Toyota, United Technologies and the U.S. Justice Department. Mr. Pohlmann holds B.S. and M.S. degrees in electrical engineering from the University of Illinois in Urbana-Champaign. Mr. Pohlmann co-founded Microcomputer Arts, Inc. (1980), International Business Information Systems Inc. (1982), and U.S. Digital Disc Corporation (1985). He chaired the Audio Engineering Societys International Conference on Digital Audio in Toronto in 1989 and co-chaired the Societys International Conference on Internet Audio in Seattle in 1997. He was presented two AES Board of Governors Awards (1989 and 1998) and an AES Fellowship Award (1990) by the Audio Engineering Society for his work as an educator and author. In 1991 he was elected to the AES Board of Governors, and in 1993 elected as the AES Vice President of the Eastern U.S. and Canada Region. In 1992 he was presented the Philip Frost Award for Excellence in Teaching and Scholarship. Mr. Pohlmann is the author of Principles of Digital Audio and The Compact Disc Handbook, co-author of Writing for New Media, and editor and co-author of Advanced Digital Audio. Since 1982 he has written over 1,400 articles for audio magazines including Audio, dB, Car Stereo Review, CD Review, Electronics Australia, Guitar Player Magazine, IEEE Spectrum, Journal of the Audio Engineering Society, Laserdisk Professional, Mix Magazine, PC Magazine, Sound & Vision, Scientific American, Stereo Review, and Video Magazine. He is a columnist for Car Stereo Review, and contributing editor and columnist for Sound & Vision Magazine.

Preface to the Fourth Edition. Chapter 1: Sound and Numbers. Chapter 2: Fundamentalks of Digital Audio. Chapter 3: Digital Audio Recording. Chapter 4: Digital Audio Reproduction. Chapter 5: Error Correction. Chapter 6: Magnetic Tape Storage. Chapter 7: Digital Audio Tape (DAT). Chapter 8: Optical Disk Storage. Chapter 9: The Compact Disc. Chapter 10: Perceptual Coding. Chapter 11: DVD. Chapter 12: The MiniDisc. Chapter 13: Interconnection. Chapter 14: PC Audio. Chapter 15: Internet Audio. Chapter 16: Digital Radio and Television Broadcasting. Chapter 17: Digital Signal Processing. Chapter 18: Sigma-Delta Coversion and Noise Shaping. Appendix. Bibliography. Index.