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The Fine Art of Literary Fist-Fighting Lee Gutkind

The Fine Art of Literary Fist-Fighting By Lee Gutkind

The Fine Art of Literary Fist-Fighting by Lee Gutkind


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Summary

An account of the emergence of creative nonfiction, written by the godfather of the genre

The Fine Art of Literary Fist-Fighting Summary

The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Neer-do-wells Concocted Creative Nonfiction by Lee Gutkind

An account of the emergence of creative nonfiction, written by the godfather of the genre

When [Gutkind] stops to look back on his own evolving perspective . . . [and] reflects upon his writing career, the choices he made . . . he puts himself, and us, right back in the momentand the results are vivid, ambiguous, emotionally resonant, fascinating.Lucas Mann, Washington Post

In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers.

Creative nonfictiontrue stories enriched by relevant ideas, insights, and intimaciesoffered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened doors to outsidersdoctors, lawyers, construction workerswho felt they had stories to tell about their lives and experiences.

Gutkind documents the evolution of the genre, discussing the lives and work of such practitioners as Joan Didion, Tom Wolfe, Norman Mailer, James Baldwin, Zora Neale Hurston, Rachel Carson, Upton Sinclair, Janet Malcolm, and Vivian Gornick. Gutkind also highlights the ethics of writing creative nonfiction, including how writers handle the distinctions between fact and fiction.

Gutkinds book narrates the story not just of a genre but of the person who brought it to the forefront of the literary and journalistic world.

The Fine Art of Literary Fist-Fighting Reviews

When [Gutkind] stops to look back on his own evolving perspective . . . [and] reflects upon his writing career, the choices he made . . . he puts himself, and us, right back in the momentand the results are vivid, ambiguous, emotionally resonant, fascinating.Lucas Mann, Washington Post

Lee Gutkinds brisk historical account of how a set of borrowed modalities became the fourth genre is deftly interleaved with anecdotes and insights drawn from a lifetime as a practitioner.J. Michael Lennon, Times Literary Supplement

The fist fight seems an apt metaphor to describe Lee Gutkinds resolute defense of creative nonfictionin all its forms. His characteristic thoughtful conviction keeps it new and exciting for the rest of us.Yvette Benavides, host of Texas Public Radios Book Public

The Fine Art of Literary Fist-Fighting offers an insightful overview of the recent history of creative nonfiction and the struggles that early practitioners faced in legitimizing the genre. This is a must-read for all writers.Jennifer Anderson, Lewis-Clark State College

Lee Gutkind is not only a master of creative nonfiction. Hes also a crucial catalyst who has meaningfully advanced the field. This honest, engagingly written book tells how it all happened and why creative nonfiction is so necessary.Steven Beschloss, director of the Narrative Storytelling Initiative and author of The Gunman and His Mother

About Lee Gutkind

Lee Gutkind has been called the Godfather behind creative nonfiction by Vanity Fair. He founded Creative Nonfiction magazine in 1994 and is the editor or author of more than thirty books. He lives in Pittsburgh, PA.

Additional information

NGR9780300251159
9780300251159
0300251157
The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Neer-do-wells Concocted Creative Nonfiction by Lee Gutkind
New
Hardback
Yale University Press
2024-03-26
304
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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