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Bad Roads Natalia Vorozhbit

Bad Roads By Natalia Vorozhbit

Bad Roads by Natalia Vorozhbit


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Summary

In the darkest recesses of Ukraine, a war is raging. A journalist takes a research trip to the front line. Teenage girls wait for soldiers on benches. A medic mourns her lover killed in action. Heart-breaking, powerful and bitterly comic accounts of what it is to be a woman in wartime.

Bad Roads Summary

Bad Roads by Natalia Vorozhbit

'I spend the night in an officer's barracks, where no woman has ever set foot.'

In the darkest recesses of Ukraine, a war is raging.

A journalist takes a research trip to the front line. Teenage girls wait for soldiers on benches. A medic mourns her lover killed in action.

Natal'ya Vorozhbit's play Bad Roads is a heartbreaking, powerful and bitterly comic account of what it is to be a woman in wartime.

It was premiered at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs, in November 2017, in a production directed by Vicky Featherstone. It was developed by the Royal Court International Department, and translated by Sasha Dugdale.

Natal'ya Vorozhbit is the leading Ukrainian playwright of her generation and has worked with the Royal Court since 2004. Her work includes The Khomenko Family Chronicles, Maidan Diaries (Royal Court) and The Grain Store (RSC).

'Complex and compelling... an all-too-vivid vision of what it is to be a woman in wartime' - The Times

'A savage look at the dehumanising impact of war... swings between matter-of-fact horror and bitter comedy... masterly and woundingly memorable' - Independent

'Despite its grim subject matter, the play is often surprisingly still and quiet, and occasionally funny too... hammer[s] home the losses, desperations, brutal necessities and impossible resiliences of women in war' - The Stage

'The patchwork of stories and images creates a powerful, occasionally indelible, picture of contemporary warfare... thought-provoking and frightening' - The Arts Desk

'Powerful... in her relentless focus on conflict's female victims, Vorozhbit shows herself to be a Ukrainian Sarah Kane' - Guardian

'An urgent, visceral piece' - Exeunt Magazine

About Natalia Vorozhbit

Natal'ya Vorozhbit (aka Natal'ia Vorozhbit) is a leading Ukrainian playwright. Her work includes The Khomenko Family Chronicles (Royal Court and BBC World Service; rehearsed reading at the Royal Court, 2006); The Grain Store (RSC, 2009); Maidan: Voices from the Uprising (Royal Court, 2014); and Bad Roads (Royal Court, 2017). She is the co-founder of the Theatre of the Displaced in Kiev and curator of the Class Act project in Ukraine. Sasha Dugdale is a translator and poet. She has translated the work of many leading contemporary playwrights writing in Russian, including: Bad Roads (Royal Court Theatre, 2017) and The Grain Store (Royal Shakespeare Company, 2009) by Natal'ya Vorozhbit; Playing the Victim (Royal Court and Told By an Idiot, 2003) and Terrorism (Royal Court, 2003) by the Presnyakov Brothers; and Ladybird (Royal Court, 2004), Black Milk (Royal Court, 2003) and Plasticine (Royal Court, 2002) by Vassily Sigarev. She has published three collections of translations of Russian poetry and five collections of her own poetry, most recently Deformations (Carcanet, 2020). In 2016 she won a Forward Prize for her long poem 'Joy', and in 2017 she received a SOA Cholmondeley Award for poetry. She has published two collections of translations of Russian poetry and three collections of her own poetry, Notebook (2003), The Estate (2007) and Red House (2011). In 2003 she received an Eric Gregory Award.

Additional information

GOR011151885
9781848427143
184842714X
Bad Roads by Natalia Vorozhbit
Used - Like New
Paperback
Nick Hern Books
20171116
80
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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