Art as semiological fact, Jan Mukarovsky; time and the timeless in quattrocento painting, Yves Bonnefoy; Giotto's joy, Julia Kristeya; the trompe-l'oeil, Jean Baudillard; towards a theory of reading in the visual arts - Poussin's "The Arcadian Shepherds", Louis Marin; "Las Meninas", Michel Foucault; the world as object, Roland Barthes; ambrosia and gold, Michel Serres; in black and white, Jean-Claude Lebensztejn; Turner translates Carnot, Michel Serres; the wisdom of art, Roland Barthes.