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New Directions in German Cinema Paul Cooke

New Directions in German Cinema By Paul Cooke

New Directions in German Cinema by Paul Cooke


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Summary

Explores German language cinema's developments since 2000. This title examines just what German language film has to offer, from the evolution of the so-called 'heritage films' which dominate the country's mainstream and which examine Germany's problematic pasts, to those which focus on the contemporary social reality of the Berlin Republic.

New Directions in German Cinema Summary

New Directions in German Cinema by Paul Cooke

Germany's national film industry has been undergoing a remarkable resurgence since the beginning of the new millennium. German language films have been receiving Oscar nominations, the likes of "Downfall" and "The Lives of Others" have been winning Oscars, and all the main international festivals, from Berlin to Cannes, have been showcasing these films. German language cinema is again attracting attention at home and abroad and "New Directions in German Cinema" explores its developments since 2000. An international group of specialists on German film, society, culture, and politics together provide a wide-ranging study of this remarkable turn of fortunes. They examine just what German language film now has to offer, from the evolution of the so-called 'heritage films' which now dominate the country's mainstream and which examine Germany's problematic pasts - the Nazi, East German and terrorist legacies - to those which focus on the contemporary social reality of the Berlin Republic.

About Paul Cooke

Paul Cooke is Professor of German Cultural Studies at the University of Leeds. Chris Homewood is Lecturer in German and World Cinema at the University of Leeds.

Table of Contents

Introduction Beyond the Cinema of Consensus? New Directions in German Cinema since 2000 Paul Cooke and Chris Homewood Chapter One A Kind of Species Memory: The Time of the Elephants in the Space of Alexander Kluges Cinematic Principle John E. Davids Chapter Two Downfall (2004): Hitler in the New Millennium and the (Ab)Uses of History Christine Haase Chapter Three Wonderfully Courageous?: The Human Face of a Legend in Sophie Sophie Scholl: The Final Days (2005) Owen Evans Chapter Four Music After Mauthausen: Re-Presenting the Holocaust in Stefan Ruzowitzkys The Counterfeiters (2007) Brad Prager Chapter Five Aiming to Please? Consensus and consciousness-raising in Wolfgang Beckers Good Bye, Lenin! (2003) Nick Hodgin Chapter Six Watching the Stasi: Authenticity, Ostalgie and History in Florian Henckel von Donnersmarcks The Lives of Others (2006) Paul Cooke Chapter Seven From Baader to Prada: Memory and Myth in Uli Edels The Baader Meinhof Complex (2008) Chris Homewood Chapter Eight The Absent Heimat: Hans-Christian Schmids Requiem (2006) David Clarke Chapter Nine Play for Today: Situationist Protests and Uncanny Encounters in Hans Weingartners The Edukators (2004) Rachel Palfreyman Chapter Ten German Autoren Dialogue with Hollywood? Refunctioning the Horror Genre in Christian Petzolds Yella (2007) Jaimey Fisher Chapter Eleven A Sharpening of Our Regard: Realism, Affect, and the Redistribution of the Sensible in Valeska Grisebachs Longing (2006) Marco Abel Chapter Twelve Too Late for Love? The Cinema of Andreas Dresen on Cloud 9 (2008) Laura G. McGee Chapter Thirteen Seeing Everything with Different Eyes: The Diasporic Optic of Fatih Akins Head On (2004) Daniela Berghahn Chapter Fourteen No Place Like Heimat: Mediaspaces and moving landscapes in Edgar Reitzs Heimat 3 (2004) Alasdair King References

Additional information

GOR006733404
9781848859074
1848859074
New Directions in German Cinema by Paul Cooke
Used - Very Good
Paperback
Bloomsbury Publishing PLC
2011-09-29
320
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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