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A History of Modern Aesthetics: Volume 3, The Twentieth Century Paul Guyer (Jonathan Nelson Professor of Humanities and Philosoph, Brown University, Rhode Island)

A History of Modern Aesthetics: Volume 3, The Twentieth Century By Paul Guyer (Jonathan Nelson Professor of Humanities and Philosoph, Brown University, Rhode Island)

A History of Modern Aesthetics: Volume 3, The Twentieth Century by Paul Guyer (Jonathan Nelson Professor of Humanities and Philosoph, Brown University, Rhode Island)


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Summary

A History of Modern Aesthetics focuses on the ideas that aesthetic experience is important because it is a form of cognition, because of its emotional impact, and because of the sheer pleasure of the free play of our mental powers triggered by works of art and nature. The work focuses on both the best-known and lesser-known aestheticians of modern times.

A History of Modern Aesthetics: Volume 3, The Twentieth Century Summary

A History of Modern Aesthetics: Volume 3, The Twentieth Century by Paul Guyer (Jonathan Nelson Professor of Humanities and Philosoph, Brown University, Rhode Island)

A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This set tells how these ideas have been synthesized or separated by aestheticians of modern times. This third volume shows how philosophers of art in Germany, Britain, and the United States continued the debate over cognitivist versus alternative approaches to aesthetic experience that was at the heart of the discipline in the previous two centuries, while responding to the intellectual challenges of their own times as well.

About Paul Guyer (Jonathan Nelson Professor of Humanities and Philosoph, Brown University, Rhode Island)

Paul Guyer is the inaugural Jonathan Nelson Professor of Humanities and Philosophy at Brown University, Rode Island. He is author of nine books, and editor of six collections on the philosophy of Immanuel Kant, including four focusing on Kant's aesthetics. He has been the recipient of numerous fellowships and prizes, including a John Simon Guggenheim Memorial Fellowship and an Alexander von Humboldt Foundation Research Prize. A History of Modern Aesthetics was facilitated by a Laurance Rockefeller Fellowship at the Princeton University Center for Human Values. Professor Guyer is a Fellow of the American Academy of Arts and Sciences, and has been president of both the Eastern Division of the American Philosophical Association and the American Society for Aesthetics.

Table of Contents

Part I. German Aesthetics in the Twentieth Century: 1. German aesthetics between the wars: Lukacs and Heidegger; 2. German aesthetics after World War II; Part II. Aesthetics in Britain until World War II: 3. Bloomsbury, Croce, and Bullough; 4. First responses to Croce; 5. Collingwood; Part III. American Aesthetics in the First Half of the Twentieth Century: 6. Santayana; 7. The American reception of expression theory I: Parker to Greene; 8. Dewey; 9. The American reception of expression theory II: Cassirer and Langer; 10. After Dewey and Cassirer; Part IV. Wittgenstein and After: Anglo-American Aesthetics in the Second Part of the Twentieth Century: 11. Wittgenstein; 12. The first wave; 13. The second wave.

Additional information

NLS9781108733830
9781108733830
1108733832
A History of Modern Aesthetics: Volume 3, The Twentieth Century by Paul Guyer (Jonathan Nelson Professor of Humanities and Philosoph, Brown University, Rhode Island)
New
Paperback
Cambridge University Press
2018-09-06
668
N/A
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