The Aesthetics of Resistance is centrally important to any kind of assessment of twentieth-century German history.-James Rolleston, editor of A Companion to the Works of Franz Kafka
For the right reader, The Aesthetics of Resistance offers unique rewards. The West's literary memory of twentieth- century communism was largely shaped by ex- and anti-Communist writers like Arthur Koestler, Alexander Solzhenitsyn, Czeslaw Milosz, and George Orwell, who saw it as inimical to spiritual and intellectual life. Weiss makes a passionate case to the contrary, arguing that for the poor and oppressed, communism offered a key to spiritual and intellectual realms from which they had been historically excluded. But he is also acutely aware that the humanistic, emancipatory communism of his dreams had a foe in the actual Soviet Communist Party, with its demand for total submission to an ever-changing ideological line. Balancing hope against reality, Weiss's novel tries to carry out the critique-from-within he outlined in his 'Ten Working Points' essay. -- Adam Kirsch * New York Review of Books *
[The Aesthetics of Resistance,] which [Peter Weiss] began when he was well over fifty, making a pilgrimage over the arid slopes of cultural and contemporary history in the company of pavor nocturnus, the terror of the night, and laden with a monstrous weight of ideological ballast, is a magnum opus which sees itself . . . not only as the expression of an ephemeral wish for redemption, but as an expression of the will to be on the side of the victims at the end of time.-W. G. Sebald, On the Natural History of Destruction
For the reader, The Aesthetics of Resistance, Volume I is as much an act of political memory and learning as it is for the novel's narrator. . . . Cerebral and absorbing. . . . -- Sean Sheehan * Popmatters *
The Aesthetics of Resistance writes those who have been culturally and historically excluded back into the story of their time and demands-as modernism does-that we learn to read in a new way. . . . The monuments of modernism today rise like Ozymandias' statue in the sand: Ulysses, Proust, Beckett, Pound's Cantos, The Making of Americans, The Waste Land. At last, we have an English translation of a work that stands alongside them. -- Robert Buckeye * Review of Contemporary Fiction *
At once a compeling tale of that resistance and an informative leftist history of the period it is situated in, Weiss's Aesthetics of Resistance is not just his piece de resistance, but a piece de resistance of the twentieth century. -- Ron Jacobs * Counterpunch *
[O]ne of the most significant works of postwar German literature. . . . The novel feels like an endless soliloquy on a bare stage, but one that takes the audience on the most amazingly imaginative time-and-space journey, with the narrative perspective cutting like a movie director's camera from one intensely rendered visual detail to the next. . . . [E]xhilaratingly strange, compelling, and original. Readers who dare to enter this demanding verbal landscape will not come away empty-handed. -- Mark M. Anderson * Bookforum *
