List of Illustrations. Notes on Contributors. Preface. Acknowledgments. 1. Novels, Films, and the Word/Image Wars: Kamilla Elliott (University of California at Berkeley). 2. Sacred Word, Profane Image: Theologies Of Adaptation: Ella Shohat (New York University). 3. Gospel Truth? From Cecil B. DeMille to Nicholas Ray: Pamela Grace (New York University). 4. Transecriture and Narrative Mediatics: The Stakes of Intermediality: Andre Gaudreault (University of Montreal) and Philippe Marion. 5. The Look: From Film to Novel: An Essay in Comparative Narratology: Francois Jost (Sorbonne). 6. Adaptation and Mis-adaptations: Film, Literature, and Social Discourses: Francesco Casetti (Catholic University of the Sacred Heart). 7. The Invisible Novelty: Film Adaptations in the 1910s: Yuri Tsivian (University of Chicago). 8. Italy and America: Pinocchio's First Cinematic Trip: Raffaele De Berti (University of Milan). 9. The Intertextuality of Early Cinema: A Prologue to Fantomas: Tom Gunning (University of Chicago). 10. Cosmopolitan Projections: World Literature on Chinese Screens: Zhang Zhen (New York University). 11. The Rhetoric of Interruption: Allen Weiss (New York University). 12. Visualizing The Voice: Joyce, Cinema And The Politics Of Vision: Luke Gibbons (University of Notre Dame). 13. Adapting Cinema to History: a Revolution in the Making: Dudley Andrew (Yale University). 14. Photographic Verismo, Cinematic Adaptation, and the Staging of a Neorealist Landscape: Noa Steimatsky (Yale University). 15. The Devil's Parody: Horace McCoy's Appropriation and Refiguration of Two Hollywood Musicals: Charles Musser (Yale University). 16. The Sociological Turn of Adaptation Studies: The Example of Film Noir: R. Barton Palmer (Clemson University). 17. Adapting Farewell, My Lovely: William Luhr (Columbia University). 18. Daphne du Maurier and Alfred Hitchcock: Richard Allen (New York University). 19. Running Time: The Chronotope of The Loneliness of the Long-Distance Runner: Peter Hitchcock (Baruch College, CUNY). 20. From Libertinage to Eric Rohmer: Transcending 'Adaptation': Maria Tortajada (University of Lausanne). 21. The Moment of Portraiture: Scorsese Reads Wharton: Brigitte Peucker (Yale University). 22. The Talented Post-structuralist: Hetero-masculinity, Gay Artifice, and Class Passing: Chris Straayer (New York University). 23. From Bram Stoker's Dracula to Bram Stoker's Dracula: Margaret Montalbano (New York University). 24. The Bible as Cultural Object[s] in Cinema: Gavriel Moses (University of California at Berkeley). 25. All's Wells that Ends Wells: Apocalypse and Empire in The War of the Worlds: Julian Cornell (New York University). Index
