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The New Cambridge Companion to Medieval Romance Roberta L. Krueger (Hamilton College, New York)

The New Cambridge Companion to Medieval Romance By Roberta L. Krueger (Hamilton College, New York)

The New Cambridge Companion to Medieval Romance by Roberta L. Krueger (Hamilton College, New York)


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Summary

Courtly romance was the most important vernacular literary genre during the Middle Ages in Europe. This new Companion introduces students and general readers to its poetics, narrative voice, and manuscript contexts, and reveals its relationship with the Mediterranean, gender, race and emotions alongside many other themes.

The New Cambridge Companion to Medieval Romance Summary

The New Cambridge Companion to Medieval Romance by Roberta L. Krueger (Hamilton College, New York)

This new Companion provides a broad and perceptive overview of the most important vernacular literary genre of the Middle Ages. Freshly commissioned, original chapters from seventeen leading scholars introduce students and general readers to the form's poetics, narrative voice and manuscript contexts, as well as its relationship to the Mediterranean world, race, gender and the emotions, among many other topics. Providing fresh perspectives on the first pan-European literary movement, essays range across a broad geographical area, including England, France, Italy, Germany and the Iberian Peninsula, as well as a varied linguistic spectrum, including Arabic, Hebrew and Yiddish. Exploring the celebration of chivalric ideals and courtly refinements, the volume excavates the tensions and traumas lying beneath decorous surface appearances. An introduction, bibliography of texts and translations as well as chapter-by-chapter reading lists complete this essential guide.

The New Cambridge Companion to Medieval Romance Reviews

'This new Cambridge Companion to Medieval Romance builds on the strengths of the 2000 volume. Traditional topics, such as the history of the genre, the materiality of romance texts and the development of national traditions, highlight the most recent scholarship, including chapters devoted to meter and prosody, and narratorial voice. Other chapters focus on current interdisciplinary approaches to romance, such as explorations of a Mediterranean context, the application of critical race theory or affect theory and the analysis of romances across the medieval / early modern divide. The result is a volume that will be both an aid to the new-comer who is trying to find their way in a complex field and a boon to the experienced researcher who is contemplating new ways to engage with familiar texts.' Richard Moll, University of Western Ontario
'The New Cambridge Companion to Medieval Romance is a brilliant and indispensable addition to the previous volume, which explores romances in a geographically broader and conceptually more diverse literary ecosystem. I was impressed with the wide range of scholars involved and the editor's continued endeavour to make the chapters accessible without compromising on academic rigour and complexity.' Sophie Marnette, Professor of Medieval French Studies, University of Oxford

About Roberta L. Krueger (Hamilton College, New York)

Roberta L. Krueger is the author of Women Readers and the Ideology of Gender in Old French Verse Romance (Cambridge University Press, 1993), editor of The Cambridge Companion to Medieval Romance (2000) and co-editor of Cultural Performances in Medieval France (2007). She has published widely on medieval romance, conduct literature, Marie de France, and Christine de Pizan. With Jane H. M. Taylor, she has translated Jean de Saintre: A Medieval Education in Love and Chivalry (2014). She is co-founder of the Medieval Feminist Newsletter (1985), now the Medieval Feminist Forum.

Table of Contents

Introduction Roberta L. Krueger; 1. For love and for lovers': the origins of romance Laura Ashe; 2. The manuscript contexts of medieval romance Keith Busby; 3. Matters of form: experiments in verse and prose romance Jane Gilbert and Ad Putter; 4. Authors, narrators, and their stories in Old French romance Sylvie Lefevre (translated by Roberta L. Krueger); 5. Arthurian transformations Elizabeth Archibald; 6. Romance and the medieval Mediterranean Sharon Kinoshita; 7. The crusading romance in Britain: religious violence and the transformation of popular chivalric narrative Lee Manion; 8. 'Making race' in medieval romance: a premodern critical race studies perspective Nahir I. Otano Gracia; 9. The construction and interrogation of gender in Old French romance Kathy M. Krause; 10. Emotions as the language of romance Megan Moore; 11. Medieval Iberian romance David A. Wacks; 12. Medieval and early modern Italian romance Laura Chuhan Campbell; 13. German medieval romance Albrecht Classen; 14. The ends of romance in Chaucer and Malory Patricia Clare Ingham; 15. French romance in the late middle ages and the renaissance Jane H.M. Taylor; 16. Romance in historical context: literature and the changing values and norms of aristocratic society Craig Taylor; 17. Romance in twentieth and twenty-first century popular culture Susan Aronstein.

Additional information

NPB9781108749589
9781108749589
1108749585
The New Cambridge Companion to Medieval Romance by Roberta L. Krueger (Hamilton College, New York)
New
Paperback
Cambridge University Press
2023-05-25
350
N/A
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