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Tuppence Plain, Penny Coloured Ruth Artmonsky

Tuppence Plain, Penny Coloured By Ruth Artmonsky

Tuppence Plain, Penny Coloured by Ruth Artmonsky


£10.00
Condition - Like New
Only 4 left
Series50 Years

Summary

An examination of the way furniture has been manufactured, advertised and sold in the fifty years between the 1920s and 1960s.

Tuppence Plain, Penny Coloured Summary

Tuppence Plain, Penny Coloured: 50 Years of Furniture Advertising and Selling by Ruth Artmonsky

Twopence Plain, Penny Coloured charts the way furniture has been sold to the British public for some 50 years - from the 1920s to the 1960s - from days when furniture was still being piled on the pavement in front of a workshop in the East End of London, to the heady days of experiencing a whole new life-style by a visit to Conran's. It covers the ever more splendid buildings in which manufacturers made and sold their wares, each competing with the others in terms of acreage covered and grandeur of facades; the special exhibitions in which the latest designs were put on show; the use of catalogues and leaflets - from single sheets to compendiums of hundreds of pages; and the use of press and hoarding advertising. The title 'Twopence Plain, Penny Coloured' is taken from a lecture at the Royal Society of Arts and refers to the constant battle, over the period covered by the book, between well-designed and well-constructed largely unadorned furniture made from good quality materials - consequently expensive - and mass-manufactured, frequently 'period' ornamented furniture, cheaply veneered and cheap to buy.

Additional information

GOR013779130
9780993587801
0993587801
Tuppence Plain, Penny Coloured: 50 Years of Furniture Advertising and Selling by Ruth Artmonsky
Used - Like New
Paperback
Artmonsky Arts
2016-06-22
127
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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