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Tate Gallery Simon Wilson

Tate Gallery By Simon Wilson

Tate Gallery by Simon Wilson


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Summary

This record of the collections of one of the world's great art museums has more than 300 colour reproductions, accompanied by a detailed commentary. Each of the 37 sections is introduced by a brief illustrated essay, followed by individual discussion of up to five major works.

Tate Gallery Summary

Tate Gallery: An Illustrated Companion by Simon Wilson

This record of the collections of one of the world's great art museums has more than 300 colour reproductions, accompanied by a detailed commentary. Each of the 37 sections is introduced by a brief illustrated essay, followed by individual discussion of up to five major works. The text covers five centuries of British and international art. It treats the present as continuous with the past, giving equal attention to the work of the historic old masters, that of the established masters of the modern era, and the more controversial achievements of the most recent generations of artists.

Table of Contents

British painting in the 16th and 17th centuries; the age of Hogarth; 18th-century painting - the grand style; 18th-century landscape, genre and sporting painting; Constable and early-19th-century landscape painting; J.M.W. Turner; British drawings, watercolours and prints c1680-1990; William Blake and his followers; the Romantic imagination; the 19th-century academy and the Pre-Raphaelites; social realism and rural naturalism 1870-1900; aesthetes and Olympians; Impressionism in France and Britain; European art around 1900; the European avant-garde 1905-20; Expressionism.

Additional information

GOR013151662
9780295970394
0295970391
Tate Gallery: An Illustrated Companion by Simon Wilson
Used - Like New
Paperback
Tate Publishing
19911231
312
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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