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Earthworks Suzaan Boettger

Earthworks By Suzaan Boettger

Earthworks by Suzaan Boettger


£33.10
Condition - Very Good
Out of stock

Summary

A comprehensive history of the Earthworks movement in the United States, this text provides an in-depth analysis of the monumental forms that initiated the broader genre of land art.

Earthworks Summary

Earthworks: Art and the Landscape of the Sixties by Suzaan Boettger

Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult. Boettger overturns many commonly held notions of Earthworks' origins and intentions. She argues that Robert Smithson's work on the Dallas-Fort Worth airport stimulated his thinking and that his writing about it catalyzed the movement. The visionary environments that followed, often sculpted in expansive and remote western terrain, were idealized by Americans and Europeans alike as displays of cowboy bravado. Boettger identifies earthworkers Michael Heizer, Dennis Oppenheim, Robert Morris, Walter de Maria, and Stephen Kaltenbach as former Californians whose treatment of the landscape reflects a western spirit. Her international purview integrates early work by the Europeans Barry Flanagan, Jan Dibbets, Richard Long, and Pino Pascali as precedents and parallels. Her examination of Earthworks' relationship to the ecology movement perceptively corrects a popular misconception about the artists' goals while acknowledging the social and cultural complexities of the period. Insightful discussions of Carl Andre, Sol LeWitt, and Claes Oldenburg - in addition to the artists mentioned above - are accompanied by many rare and new photographs of both the art and its creators. Witty, accessible, and scrupulously researched, Earthworks constructs day-to-day chronologies of the development of the artistic movement and its intersections with the larger public events of the time, including specific accounts of galleries, exhibitions, and criticism. Boettger's dynamic social history and psychological insights bring new meaning to this pivotal movement that both embodied and disrupted contemporary notions of art, nature, society, and their relationship to each other.

About Suzaan Boettger

A prominent art critic in northern California in the 1980s, Suzaan Boettger is now an art historian, critic, and lecturer in New York City. She has lectured at the Queen's Museum of Art and the Guggenheim Museum of Art, New York.

Table of Contents

1. October 1967: A Corner of a Larger Field
2. The Ground of Earthen Sculpture
3. Toward Heterotopias
4. The Stimulus of Aerial Art
5. The West as Site and Spirit
6. Intransigent Nature on Fifty-seventh Street
7. 1969: Endings and Dispersals
8. Monumental Sculpture in the Wilderness
9. Nurture and Nature
10. 1973: Return to the Park
Notes
List of Illustrations
Chronology of the Sixties
Bibliography
Acknowledgments
Index

Additional information

GOR013417037
9780520221086
0520221087
Earthworks: Art and the Landscape of the Sixties by Suzaan Boettger
Used - Very Good
Hardback
University of California Press
20030121
316
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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