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Revolution and Religion in the Music of Liszt
by Paul Merrick
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Opera in Portugal in the Eighteenth Century
by Manuel Carlos de Brito
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Aesthetics and the Art of Musical Composition in the German Enlightenment
by Heinrich Christoph Koch
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Music and Ideology in Cold War Europe
by Mark Carroll (University of Adelaide)
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Music in Spain during the Eighteenth Century
by Malcolm Boyd
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Music in Eighteenth-Century Austria
by David Wyn Jones (University of Wales College of Cardiff)
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Gendering Musical Modernism
by Ellie M. Hisama (Brooklyn College, City University of New York)
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Haydn Studies
by W. Dean Sutcliffe (University of Cambridge)
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Shostakovich Studies
by David Fanning (University of Manchester)
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Purcell Manuscripts
by Robert Shay
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Song on Record: Volume 1, Lieder
by Alan Blyth
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Tippett Studies
by David Clarke (University of Newcastle upon Tyne)
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Perspectives on Mozart Performance
by R. Larry Todd
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Palestrina and the German Romantic Imagination
by James Garratt (National University of Ireland, Maynooth)
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Musical Knowledge
by Prof Keith Swanwick
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The Music of Tchaikovsky
by Gerald Abraham
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£18,69
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The Great Operas of Mozart
by Nathan Broder
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The Orchestra
by Paul Bekker
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Hanyang Kut
by Maria K. Seo
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Hip-Hop Authenticity and the London Scene
by Laura Speers
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The Singer-Songwriter in Europe
by Isabelle Marc
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Five Centuries of Women Singers
by Isabelle Emerson
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Melody Writing and Analysis
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The Atonal Music of Anton Webern
by Allen Forte
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The Possessor and the Possessed
by Peter Kivy
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An Introduction to Tchaikovsky's Operas
by Henry Zajaczkowski
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Composing for the Screen in Germany and the USSR
by Phil Powrie
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Only the Strong Survive
by Jerry Butler
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The Age of Chopin
by Halina Goldberg
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Nineteenth-Century French Song
by Barbara Meister
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A Catalog of Music for the Cornett
by Michael Collver
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The Science of Vocal Pedagogy
by D. Ralph Appelman
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Music, Education, and Religion
by Alexis Anja Kallio
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Hip Hop at Europe's Edge
by Adriana N. Helbig
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On Record
by Beverley Diamond
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New Atlantis
by John Swenson (freelance, freelance, UPI and Reauters.)
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More Than Bollywood
by Gregory D. Booth (Professor of Anthroplogy, Professor of Anthroplogy, The University of Auckland)
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Enrique Granados
by Walter Aaron Clark (Professor, Professor, University of California Riverside)
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Greeted With Smiles
by Evan Rapport (Assistant Professor, Ethnomusicology, Assistant Professor, Ethnomusicology, Eugene Lang College, The New School for Liberal Arts)
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Resounding Afro Asia
by Tamara Roberts (Assistant Professor, Performance Studies and Ethnomusicology, Assistant Professor, Performance Studies and Ethnomusicology, University of California, Berkeley)
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The Musical Experience
by Janet R. Barrett (Associate Professor of Music Education, Associate Professor of Music Education, University of Illinois)
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Music and the Broadcast Experience
by Christina Baade (Associate Professor, Communication Studies, Associate Professor, Communication Studies, McMaster University)
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The Tragic and the Ecstatic
by Eric Chafe (Professor of Composition, Professor of Composition, Brandeis University)
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Theorizing the Local
by Richard K. Wolf (Professor of Music, Department of Music (Ethnomusicology), Professor of Music, Department of Music (Ethnomusicology), Harvard University)
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Conceptualizing Music
by Lawrence M. Zbikowski (Associate Professor of Music, Associate Professor of Music, University of Chicago)
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The Baroque Clarinet
by Albert R. Rice (Curator, Curator, the Fiske Museum of Musical Instruments, Claremont, California)
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Audio Production Principles
by Stephane Elmosnino (Lecturer, Lecturer, SAE Institute - Brisbane)
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£34,49
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The Oxford Handbook of Mobile Music Studies, Volume 1
by Sumanth S. Gopinath (Associate Professor of Music Theory, Associate Professor of Music Theory, University of Minnesota)
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£36,39
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