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Public Sculpture of Cheshire and Merseyside (excluding Liverpool) Edward Morris

Public Sculpture of Cheshire and Merseyside (excluding Liverpool) By Edward Morris

Public Sculpture of Cheshire and Merseyside (excluding Liverpool) by Edward Morris


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Summary

A very detailed and well illustrated account of one of the most interesting and important groups of public sculpture in England outside London.

Public Sculpture of Cheshire and Merseyside (excluding Liverpool) Summary

Public Sculpture of Cheshire and Merseyside (excluding Liverpool) by Edward Morris

This is the fifteenth volume of a series which has achieved an international reputation, and expands on Terry Cavanagh's volume, Public Sculpture of Liverpool. Cheshire and Merseyside are exceptionally rich in public sculpture. Church monuments include fine neoclassical works by Lorenzo Bartolini and Pietro Tenerani, the two artists who dominated Italian sculpture after the death of Canova in 1822. The very moving Ellen Legh memorial at Winwick of about 1831 is R.J. Wyatts masterpiece. As for architectural sculpture the reliefs on the Municipal Buildings at Crewe by Frederick Schenk of 1902-4 are among the best examples of the so-called New Sculpture. There are superb war memorials by the leading sculptors of the period, Goscombe John, Sargeant Jagger, Hermon Cawthra, C.J. Allen, Alfred Drury and Tyson Smith at Port Sunlight, West Kirby, Bootle, Eastham, Warrington, Birkenhead and Southport. The war memorial at Macclesfield by the Manchester sculptor John Millard is of exceptional and highly unusual realism. Statues and monuments to the great industrialists who transformed northern Cheshire around 1900 can be found at Northwich, Bootle, Birkenhead and Port Sunlight. George Framptons symbolist statues of Queen Victoria at Southport and St Helens are among his finest public works. More recently Antony Gormleys evocative iron men on Crosby Beach and Jaume Plensas expressive Dream at a former colliery at St Helens have acquired a national reputation. The book has a catalogue section with a very detailed account of about 220 sculptures covering dating, commissioning, attribution, style, subject matter, cost, materials, dimensions, inscriptions, influence, condition, repairs, relocation, contemporary criticism and present reputation. Nearly all these sculptures are illustrated in the book by at least one photograph. There is an extended introduction analyzing the various types of public sculpture in the area and their history with reproductions of historic photographs. Detailed biographies of all the local sculptors can be found in a separate section.

Public Sculpture of Cheshire and Merseyside (excluding Liverpool) Reviews

This is a scholarly and highly informative guide to an area notably rich in public sculpture. Combining deep local knowledge with a broader critical perspective, the authors draw on a wealth of primary sources, from artists papers to company records and the copious minutes of memorial committees; the responses of contemporary critics are also analysed. It is excellent on the whys and hows of public sculpture, on the process of commission or donation, and the motives especially political of those involved. * Burlington Magazine *

About Edward Morris

Edward Morris and Timothy Stevens are retired. Edward Morris is chairman of the Editorial Board for the series of volumes entitled the Public Sculpture of Britain. Emma Roberts is a Senior Lecturer in Art History at Liverpool John Moores University. Reg Phillips is a Senior Lecturer in Fashion Photography at Liverpool John Moores University.

Table of Contents

  • Preface
  • Acknowledgements
  • Map
  • Introduction
  • Public Sculpture of Cheshire and Merseyside
  • Biographies
  • Bibliography
  • Index

Additional information

GOR013149885
9781846314926
1846314925
Public Sculpture of Cheshire and Merseyside (excluding Liverpool) by Edward Morris
Used - Like New
Hardback
Liverpool University Press
2012-10-31
308
Long-listed for William MB Berger Prize for British Art History 2012/13 (UK).
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

Customer Reviews - Public Sculpture of Cheshire and Merseyside (excluding Liverpool)