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Stage to Studio James P. Kraft (University of Hawaii at Manoa)

Stage to Studio By James P. Kraft (University of Hawaii at Manoa)

Stage to Studio by James P. Kraft (University of Hawaii at Manoa)


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Summary

Kraft offers an illuminating case study in the impact of technology on industry and society-and a provocative chapter in the cultural history of America.

Stage to Studio Summary

Stage to Studio: Musicians and the Sound Revolution, 1890-1950 by James P. Kraft (University of Hawaii at Manoa)

Between the late nineteenth and mid-twentieth century, technology transformed the entertainment industry as much as it did such heavy industries as coal and steel. Among those most directly affected were musicians, who had to adapt to successive inventions and refinements in audio technology-from wax cylinders and gramophones to radio and sound films. In this groundbreaking study, James P. Kraft explores the intersection of sound technology, corporate power, and artistic labor during this disruptive period. Kraft begins in the late nineteenth century's golden age of musicians, when demand for skilled instrumentalists often exceeded supply, analyzing the conflicts in concert halls, nightclubs, recording studios, radio stations, and Hollywood studios as musicians began to compete not only against their local counterparts but also against highly skilled workers in national entertainment factories. Kraft offers an illuminating case study in the impact of technology on industry and society-and a provocative chapter in the cultural history of America.

Stage to Studio Reviews

Historians might not have answers to the questions of technology displacing and deskilling workers, but they can lay out the facts and be sympathetic to the victims. This Kraft has done. He writes clearly and without bias, [and] has an understanding of his subjects that comes from his own background as a musician. -- Andre Millard American Historical Review In Stage to Studio, James Kraft presents a concise, well-researched, and well-written historical account of the actions and reactions of unionized musicians as they faced new technologies and changing conditions of labor in early twentieth-century America... an important contribution to the literature on organized workers in America. -- Emily Thompson Technology and Culture Combining techniques from social history, labor history, and the history of technology, Kraft weaves together archival material, oral history data, and secondary sources to produce an accessible narrative and a rich analysis. -- Harris M. Berger Antenna

About James P. Kraft (University of Hawaii at Manoa)

James P. Kraft is associate professor of history at the University of Hawaii.

Table of Contents

Acknowledgements
Introduction
Chapter 1. Working Scales in Industrial America
Chapter 2. Boom and Bust in Early Movie Theaters
Chapter 3. Encountering Records and Radio
Chapter 4. Playing in Hollywood Between the Wars
Chapter 5. Rising Militancy
Chapter 6. Recording Ban
Chapter 7. Balancing Success and Failure
Conclusion
Appendix. AFM Membership, 1896-1956
Notes
Essay on Sources
Index

Additional information

NLS9780801877421
9780801877421
0801877423
Stage to Studio: Musicians and the Sound Revolution, 1890-1950 by James P. Kraft (University of Hawaii at Manoa)
New
Paperback
Johns Hopkins University Press
2004-01-14
248
Winner of Association for Recorded Sound Collections Award: Best Research in Record Labels or Manufacturers 2004 (United States) Winner of Kenneth W. Baldridge Prize 2004 (United States)
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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