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Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture Sanna Karkulehto

Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture By Sanna Karkulehto

Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture by Sanna Karkulehto


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Summary

The emphasis of the inquiry in Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture is on the various ways actual and fictional nonhumans are reconfigured in contemporary culture.

Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture Summary

Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture by Sanna Karkulehto

The time has come for human cultures to seriously think, to severely conceptualize, and to earnestly fabulate about all the nonhuman critters we share our world with, and to consider how to strive for more ethical cohabitation. Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture tackles this severe matter within the framework of literary and cultural studies. The emphasis of the inquiry is on the various ways actual and fictional nonhumans are reconfigured in contemporary culture although, as long as the domain of nonhumanity is carved in the negative space of humanity, addressing these issues will inevitably clamor for the reconfiguration of the human as well.

The Open Access version of this book, available at https://www.taylorfrancis.com/books/reconfiguring-human-nonhuman-posthuman-literature-culture-sanna-karkulehto-aino-kaisa-koistinen-essi-varis/e/10.4324/9780429243042, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture Reviews

"In Reconfiguring Human, Nonhuman, and Posthuman in Literature and Culture, editors Sanna Karkulehto, Aino-Kaisa Koistinen, and Essi Varis have done more than assemble a collection of essays on posthumanisms (broadly conceived); they have amassed a scholarly mesh of sorts, a strange ecosystem of questions, concepts, methodologies, and subject positions that play productively with the evolving formations of critical posthumanisms...the book is dazzling in its playful intelligence and indefatigable curiosity. Because of this spirit of interrogative play, I consider it to be part of the now-vital network of collected essays on critical posthumanisms...the prime value of the collection, at least for this reviewer, is its effort to bring into conversation a wide array of theories, disciplines, primary texts (comics, novels, video games, etc.), materialities, and aesthetic sensitivities that both enhance and question the emerging fields of critical posthumanisms." Tony M. Vinci, Fafnir: Nordic Journal of Science Fiction and Fantasy Research

"This book does not merely model ways to look at texts through a nonhuman or posthuman lens but illuminates the benefits and even necessity of employing a nonhuman gaze." --Colleen Karn, Methodist College

"Is it possible to say something meaningful about "nonhuman" literature? Would you really like to know what it is like to be a bat? How to make sense of the current drive in the "new" humanities towards problematizing "humanness" and "humanity"? What kind of narratives, readings, visualisations, experiences could or should be employed in human-nonhuman-posthuman relations? Sometimes it is by asking the right questions that knowledge, politics and ethics can be reconfigured. The contributions in this volume are a case in point." --Stefan Herbrechter, Coventry University

About Sanna Karkulehto

Sanna Karkulehto is Professor of Literature at the University of Jyvaskyla, Finland. She has published books, articles and book chapters on the critical study of representation, the politics of discourse, and the politics of difference. Her latest co-edited anthology offers theorization on the ethics and politics of reading when studying representations of gender and violence.

Aino-Kaisa Koistinen (PhD, contemporary culture studies) currently works as postdoctoral researcher in contemporary culture studies at the University of Jyvaskyla. Her research interests include feminist theory, posthumanism, crime fiction and speculative fiction, transmediality, and monster studies.

Essi Varis is a graduate student in Comparative Literature and Comics at the University of Jyvaskyla. She defended her doctoral compilation dissertation Graphic Human Experiments: Frankensteinian Cognitive Logics of Characters in Vertigo Comics and Beyond in April of 2019.

Table of Contents

INTRODUCTION

Chapter 1: Reconfiguring Human, Nonhuman and Posthuman: Striving for More Ethical Cohabitation

Section 1: Towards Posthumanist Literature and Posthumanist Reading

Chapter 2: On the Possibility of Posthuman-ist Literature

Chapter 3: Posthumanist Reading: Witnessing Ghosts, Summoning Powers

Chapter 4: Becoming-instrument: Thinking with Jeff VanderMeers Annihilation and Timothy Morton's Hyperobjects

Section 2: Imagining Alien Experiences

Chapter 5: Alien Overtures: Speculating about Nonhuman Experiences with Comic Book Characters

Chapter 6: Playing the Nonhuman: Alien Experiences in Aliens vs. Predator

Section 3: Becoming with Animals

Chapter 7: Dead Dog Talking: Posthumous, Preposthumous, and Preposterous Canine Narration in Charles Sierbert's Angus

Chapter 8: Carnivorous Anatomies: Art and Being Beasts

Chapter 9: Connecting Difference: A Human/Guide Dog Assemblage

Section 4: Technological (Co-)Agencies

Chapter 10: Meeting the Machine Halfway: Towards Non-anthropocentric Semiotics

Chapter 11: Human and Nonhuman Co-Agency, Neuropower and Counterplay in Minecraft

Chapter 12: Cyborganic Wearables: Sociotechnical Misbehavior and the Evolution of Nonhuman Agency

Section 5: Afterword: Unnarratable Matter?

Chapter 13: Unnarratable Matter: Emergence, Narrative, and Material Ecocriticism

Additional information

NPB9780367197476
9780367197476
0367197472
Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture by Sanna Karkulehto
New
Hardback
Taylor & Francis Ltd
2019-07-17
386
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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