"This is an important and an exciting contribution to the growing literature on colonialism and medicine." -- Social History of Medicine
"Bewell has rediscovered a vital dimension to our understanding of the Romantic period. No scholar of the period should leave his book unread." -- Neil Vickers, The Wordsworth Circle
"Romanticism and Colonial Disease is a superb book and indispensable to anyone seeking to understand either Romanticism or the medical aspects of colonial expansion." -- Mark Harrison, Bulletin of the History of Medicine
"Bewell offers romanticists a new orientation rich with exciting possibilities. He opens the way to an understanding of colonialism not as a uni-directional action but, instead, as a dark commonality of dynamically reciprocal interactions within a process of accelerating globalization." -- Karl Kroeber, Keats-Shelley Journal
"Bewell's great achievement is to have shown us just how heavily colonial disease weighted upon the social conditions and the literary production of romantic period Britain. In accomplishing that monumental task he has set a new standard of excellence for the study of romanticism in the context of colonialism." -- Steven Goldsmith, Studies in Romanticism
"Bewell's book is an example of the best of interdisciplinary scholarship, a treatise on the history of medicine, medical geography, English literature, and colonial diseases. I recommend it for a wide readership, and plan on using it in my own graduate seminars. As evidenced most in the final pages, Bewell's book should be applauded for its ultimately political statement on the profoundly social causes of disease in the nineteenth century as well as today." -- Susan Craddock, Historical Geography
"Romanticism and Colonial Disease is an eloquent, powerful and major contribution to a flourishing area of research, a recovery (in the archival rather than the therapeutic sense) of an entire realm of culture: for example the chapters on colonial military disease narratives and John Ritchie's view of Africa. The eloquence of its elegant middle style alone should attract readers. This book will need to be on hand when anyone does work in its fields of study." -- Timothy Morton, Romantic Circles Reviews
"Alan Bewell has written one of the most important and original assessments of Romanticism to have appeared for many a long year. Romanticism and Colonial Disease is new historicism at its best. Packed with detailed and original research, it refocuses the Romantic movement in a completely unexpected way, demanding that we rethink the literature with which we thought we were familiar. But it does more than this, it also changes our understanding of British culture in the late eighteenth and early nineteenth century and redefines our understanding of colonialism." -- Tim Fulford, Romanticism on the Net
"Romanticism and Colonial Disease is certainly one of the most significant works of Romantic criticism to appear in recent years. It presents us with a more complex and interesting body of work, and Bewell adds a new dimension to the colonial and historical context of Romantic literature, demonstrating ideas and strategies in Romantic writings that we simply have not hitherto noticed. This is an authoritative and scholarly account of an aspect of colonial history and literature that we will in future have to recognize in our continuing understanding of the period and its writing." -- Peter J. Kitson, Nineteenth Century Literature
"In this extraordinarily important, exhaustively documented book, Alan Bewell for the first time tracks the emergence in Britain between 1780 and 1848 of an understanding of the fundamental conjunction of colonial expansion with epidemic disease, both in the colonies themselves and, more anxiety-provoking, at home in England... After reading Romanticism and Colonial Disease, we will no longer be able to ignore the ways in which disease infected both the bodies of numerous British Romantic writers -- Bewell details the actual diseases endured by Coleridge, Keats, Percy Shelley, Thomas Medwin, Matthew Lewis, and a host of other writers during the period -- and, more significantly, the cultural imagination of the Romantic period." -- Anne K. Mellor, Configurations
