Contents: Introduction: The main argument of the book, with a few notes on what the Romans did for us. The Middle Ages: minstrels, mystery plays and pageants. 1. Shakespeare and Elizabethan theatre. 1558-1603. James Burbage entrepreneur. The Globe, The Rose and London's Bankside. Playwrights Shakespeare, Ben Jonson and Christopher Marlowe. Case studies: Thomas Heywood, Shakespearean bawdy, the Globe rebuilt and Richard II in Essex's rebellion. 2. Jacobean and Caroline theatre. 1603-42. Stuart patronage and the creation of indoor theatres. Masques, revenge tragedy and cavalier playwrights. Francis Beaumont, John Fletcher and Richard Brome. Case studies: John Webster's White Devil, City Comedy, censorship and puritanism. 3. Restoration theatre. 1660-1707. Rival companies and French influences. William Wycherley, William Congreve and John Vanbrugh. John Dryden, poetry, neo-classicism and criticism. Thomas Betterton, Colley Cibber and Drury Lane. Case studies: Nell Gwynne and women actors (Mrs Barry), George Farquhar, Aphra Behn. 4. Georgian theatre. 1707-95. Drury Lane, Covent Garden, Haymarket and Bristol Old Vic. David Garrick, Charles Macklin and Sarah Siddons. Oliver Goldsmith's She Stoops To Conquer, Henry Fielding's satire, Richard Steel, and pantomime. Case studies: censorship (Licensing Act 1737), the Shakespeare industry, Ira Aldridge, John Gay's The Beggar's Opera, Richmond Yorks theatre. 5. Regency theatre. 1795-1837. Rise of the West End. Richard Brindsley Sheridan's School for Scandal. Edmund Kean, the Kembles. Clown Joe Grimaldi. Case studies; critics, music hall, Price Riots at Covent Garden. 6. Victorian theatre. 1837-1901. William Charles Macready, Ellen Terry and Henry Irving. Manners, Melodrama and extravaganza. Dion Boucicault and Oscar Wilde. Case studies: Tom Robertson's Caste, J M Barrie's Peter Pan. 7. Edwardian theatre. 1901-18. Herbert Beerbohm Tree. Court Theatre and the Harley Granville Barker and J E Vedrenne seasons, 1904-7. Rise of the regional reps. George Bernard Shaw, influence of Ibsen and Chekhov. New social drama. Arthur Wing Pinero. Case studies: Vesta Tilley and the music hall. 8. Interwar theatre. 1918-45. Noel Coward, Terence Rattigan and JB Priestley; Sean O'Casey. John Gielgud and Sybil Thorndike. Case studies: Noel Coward's The Vortex, RC Sherriff's Journey's End, Ben Travers's Rookery Nook and Unity Theatre. 9. Postwar theatre. 1945-79. The rise of state-subsidised theatre. Laurence Olivier and Vivien Leigh. Angry Young Men, Poetic Drama, National Theatre, RSC and alternative theatres. The regions. Case studies: George Devine and Look Back in Anger, Theatre Workshop, Saved and the abolition of censorship, Joe Orton's What the Butler Saw, Edinburgh Festival, Marat Sade. 10. Postwar theatre. 1945-79. Part Two. 11. Theatre after Thatcher. 1979-2010. West End blockbuster musicals. Women playwrights. Event Theatre. In-Yer-Face Theatre. Return of political theatre (verbatim). Case studies: Asian drama from Ayub Khan Din's East Is East to Gurpreet Kaur Bhatti's Behzti, new black playwrights, national treasures (Alan Bennett/Tom Stoppard/Micheal Frayn). Afterword: Contemporary theatre (2011-14). Index