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The Power of Distraction Alessandra Aloisi (University of Oxford, UK)

The Power of Distraction By Alessandra Aloisi (University of Oxford, UK)

The Power of Distraction by Alessandra Aloisi (University of Oxford, UK)


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The Power of Distraction Summary

The Power of Distraction: Diversion and Reverie from Montaigne to Proust by Alessandra Aloisi (University of Oxford, UK)

From Pascal to contemporary anxieties about attention, we have constantly been urged to avoid distraction if we want to live and work better. But Alessandra Aloisi argues that we are missing the point.Drawing on a broad range ofEuropean philosophy and literature, this book considers distraction not as an expression of human imperfection, but as a creative, subversive, and aesthetic capability. In contrast to the traditional accounts, from Saint Augustine to Robert Burton, which either associated distraction with sin or considered it as a symptom of melancholy, Aloisi argues that it is often precisely when we stop thinking about something that inspiration finds us. Why else are artists described as having their heads in the clouds? This book demonstrates the serendipity of distraction through close readings of cultural and visual sources ranging from the mathematician Poincare to the Netflix show, Black Mirror. With inspiration from La Bruyere, Rousseau, Leopardi, Stendhal, Baudelaire, and others, Aloisi further examines the political value of distraction. After all, in an age of ubiquitous technology and 24/7 availability fighting for our attention, distraction provides what Bergson called a 'slight revolt' from the codes and behaviors that society dictates. Combining philosophy, literature, art, and politics, The Power of Distraction encourages us to think differently about our attention and considers just how productive daydreams can be.

The Power of Distraction Reviews

In a world obsessed with attentional issues, often aligned with a nostalgic longing for rancid forms of authority, Alessandra Aloisi's book awakens us to the emancipatory power of not paying attention where attention is supposedly due. From Pascal to Proust, through Rousseau and Leopardi, she calls forth the irreverent magic of literary studies to reclaim the affirmative freedom of distraction, read as an untamed alternative to obedience and conformity. * Yves Citton, Professor in Literature and Media at the University Paris 8 and Author of The Ecology of Attention, France *

About Alessandra Aloisi (University of Oxford, UK)

Alessandra Aloisi is Lecturer in French Literature and Thought at the Faculty of Medieval and Modern Languages of the University of Oxford, UK. She is co-editor, with M. Piazza and M. Sinclair, of Maine de Biran's 'Of Immediate Apperception' (Bloomsbury, 2020).

Table of Contents

Acknowledgements Introduction Chapter 1: Divertissement 1. Montaigne and Pascal, or the Difference between Ethics and Morality 2. The Sublime Misanthropist 3. A Man Alone in a Room 4. Maine de Biran Criticizing (Voltaire Criticizing) Pascal 5. Assault on the Inner Citadel 6. Chasing a Hare 7. The Theory of Pleasure Chapter 2: The Power of Flies 1. Augustine and Pascal 2. Serendipity 3. A Distracted Mathematician 4. Distraction and Trains of Thought 5. What is Essential is (In)visible to the Eye 6. Involuntary Memory 7. The Spider and the Connoisseur 8. 'The Entire History of You' Chapter 3: Reverie 1. Dreams, Reveries, and Fantasies 2. Reveries and Childhood 3. Journey, Movement, and Solitude 4. Distraction and Automatism 5. The System of the Soul and the Beast, or the Dangers of Distraction 6. Distraction and Somnambulism 7. Reveries and the History of Madness 8. Distraction and Common Sense 9. Idleness and Laziness Conclusion: Distraction and Laughter Bibliography Index

Additional information

CIN1350342947VG
9781350342941
1350342947
The Power of Distraction: Diversion and Reverie from Montaigne to Proust by Alessandra Aloisi (University of Oxford, UK)
Used - Very Good
Hardback
Bloomsbury Publishing PLC
20231005
208
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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