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Writing the Character-Centered Screenplay, Updated and Expanded edition Andrew Horton

Writing the Character-Centered Screenplay, Updated and Expanded edition By Andrew Horton

Writing the Character-Centered Screenplay, Updated and Expanded edition by Andrew Horton


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Summary

Covering American, international, mainstream, and 'off-Hollywood' films, as well as television, this book offers creative strategies and useful practical information. It places screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character.

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Writing the Character-Centered Screenplay, Updated and Expanded edition Summary

Writing the Character-Centered Screenplay, Updated and Expanded edition by Andrew Horton

'We need good screenwriters who understand character'. Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging - covering American, international, mainstream, and 'off-Hollywood' films, as well as television - the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer - whether new or experienced - build more vivid characters and screenplays. Centering his discussion around four film examples - including Thelma & Louise and The Silence of the Lambs - and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.

Table of Contents

Preface
Acknowledgments
Introduction

PART I: CHARACTER
Chapter One: The Feast of Becoming:
Carnival and Character
Chapter Two: Varieties of Voices Within Character
Chapter Three: Five Not-So-Easy Pieces:
Analysis of Character-Centered Scripts

PART II: NARRATIVE AND STRUCTURE
Chapter Four: Beyond the Classical Hollywood
Structure
Chapter Five: Developing a Character-Centered
Narrative
Chapter Six: Pitching

PART III: WRITING
Chapter Seven: Prelude to a Screenplay
Chapter Eight: The Fourteen-Week Character
Developing Schedule
Chapter Nine: The Fourteen-Week Feature
Screenplay

PART IV: LAUNCHING YOUR SCRIPT
Chapter Ten: From Rewrite to Screen:
An Overview of Options
Chapter Eleven: Live Writers Talking:
Screenwriting 2000 and Beyond

Appendix A: Coverage

Appendex B: Self-Critiques

Appendix C: Your Personal Screenwriting and Video Library

Appendix D: At Long Last the Recipe for a Screenwriter's
Gumbo with Character!

Index

Additional information

CIN0520221656VG
9780520221659
0520221656
Writing the Character-Centered Screenplay, Updated and Expanded edition by Andrew Horton
Used - Very Good
Paperback
University of California Press
20000223
249
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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