Winner of the 2022 Roland H. Bainton Book Prize from the Sixteenth Century Society & Conference

In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christs body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianitys preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the worlds most famous and controversial religious objects.

Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shrouds mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloths historical conception as an object of religious devotion. Examining the period of the Shrouds most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relica divine painting attributed to Gods artistry that contains traces of Christs body. Through probing analyses of materials created to perpetuate the Shrouds cult followingincluding devotional, historical, and theological treatises as well as printed and painted reproductionsCasper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shrouds bloodied corporeal impressions as an alloy of material authenticity and divine artifice.

This groundbreaking book introduces rich, new material about the Shrouds emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.