First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

INTRODUCTORY CHAPTEREverett & Caldwell SECTION 1: DIGITEXTUAL DECONSTRUCTIONS 1. Digitextuality and Click Theory: Theses on Convergence Media and Digital Reproduction, Anna Everett 2. Media in the Digital Age 3.The Radio as an Apparatus of Communication, Bertolt Brecht 4. Invisible Media, Laura Marks 5. Exit Meat: Digital Bodies in a Virtual World, Mischa Peters SECTION 2: DIGITEXTUALITY AESTHETICS 7. Space Invaders: Thoughts on Technology and the Production of Culture, Peter Lunenfeld 8. The Poetics of Augmented Space, Lev Manovich 9. Too Many Notes: Computers, Complexity, and Culture in Voyager, George Lewis 10. The Stories Digital Tools Tell, Tarleton Gillespie SECTION 3: PRE-FIGURING DIGITEXTUALITY 11. Second Shift Aesthetics: Programming, Branding, and User-Flows, John T. Caldwell 12. Narrative Mapping, Stephen Mamber 13. Real-Time Fairy Tales: Cinema Pre-Figuring Digital Anxiety, Mark Williams 14. Digital Vapor/ Tulip Theory, Jeffery Sconce SECTION 4: DIGITEXTUAL PRACTICES 15. Net Ratings: Defining a New Medium by the Old, Measuring Internet Audiences, Karen Buzzard 16. Flashing Digital Animations: Pixar's Digital Aesthetic, Katherine Sarafian 17. Log On: Corporate Feminism and the Oxygen Media Research Project, Constance Penley, Anna Everett and Lisa Parks 18. From Mortal Kombat: Further Reflections, Henry Jenkins 19. Endnotes for a Theory of Convergence, Joe Amato