Preface
Book the First
Music in Late-Medieval Florence: The Duecento and Trecento
Music and the Ecclesiastical and Political Organization of the Late-Medieval City
The Duecento
1 * Church and State in Florence circa 1300
Santa Reparata/Santa Maria del Fiore
Palazzo della Signoria
Music at Santa Reparata/Santa Maria del Fiore
The Duecento Lauda
Instrumentalists of the Signoria
The Trecento
2 * Secular Polyphony: The Beginnings of the Florentine Tradition
The Social Context of Performance
Johannes de Florentia (fl. ca. 1351)
3 * Secular Polyphony: Francesco Landino and the Central Florentine Tradition
Ser Gherardellus de Florentia (1362 or 1363)
Donatus de Florentia and Laurentius Masii de Florentia (1372)
Francesco Landino (1397)
4 * Secular Polyphony: The Gallicization of Florentine Musical Culture
Some Florentine Kleinmeistern: Magister frater Egidius, Magister Guglielmus frater, and Corradus
Andreas de Florentia (Andrea di Giovanni) (1415)
Some Florentine Kleinmeistern Redux: Bonaiutus Corsini and Andrea Stefani
Paulus de Florentia (1436)
5 * Music in Communal Worship and Civic Life
Liturgical Polyphony
The Trecento Lauda
The Herald of the Signoria
Book the Second
Music in Renaissance Florence I: The Quattrocento
Aristocracy Emulated: The De Facto Medici Regime
6 * The Medici Regime and the Public Ecclesiastical Institutions
Nicolaus Zacharie and the Professionalization of Composing and Performing
The Consecration of the Cathedral of Florence
The Musical Establishments Stabilized
Heinrich Isaac
7 * Tradition and Innovation in Sacred Music
Tradition: Music for the Liturgy
Tradition and Innovation: The Quattrocento Lauda
Innovation: The Sacra Rappresentatione
8 * Heralds, Knights, and Carnival Revelers
Tellers of Tales
Medieval Chivalric Tradition Reimagined
Florentine Carnival and the Canto Carnascialesco
9 * Music and Domestic Life: The House of Medici
Occasions for Music-Making
The Patrons, Their Musicians, and Their Music
The Musical Sources
Varieties of Music-Making
10 * Girolamo Savonarola and the Medici in Exile
Theocratic Censure
The Medici in Exile, 14941512
Book the Third
Music in Renaissance Florence II: The Cinquecento
Aristocracy Achieved: The De Jure Medici Regime, Family as Country, and Florentinism
11 * The Medici Restoration: The Florentine-Papal Tandem
The Restoration
Composers in Medici Service
Music in Private Medici Settings: Instrumental Music
12 * A New Institution, a New Technology, a New Genre: The Madrigal
Wellsprings of the Madrigal: The Chanson
Wellsprings of the Madrigal: The Canto Carnascialesco and Trionfo, the Lauda, and Solo Song
The Earliest Madrigals
Florentine Academies and Madrigals for the Theater at Midcentury
Intimate Settings: Isabella de Medici, Solo Song, and the Polyphonic Madrigal
Intimate Settings: The Florentine Madrigal after Midcentury
13 * The Church
The Reconstitution of the Polyphonic Chapels
The Reformation and Counter-Reformation
The Cinquecento Lauda and Sacra Rappresentatione
Intermedi Sacri e Morali and Music in Religious Communities for Women
14 * Medici Pageantry, 15391589: Letat, cest moi
Book the Fourth
Music in Florence in the Baroque Era
Cross-Genre Influences: Monody, the Stile Recitativo, and the Stile Concertato in Florentine Music of the Seicento and Early Settecento
15 * Opera in Florence, Act 1: The Florentine Aristocratic Phase
Academic Theories Applied
The Beginnings of Opera
Widening Applications of the Innovations
The Meaning of Baroque
16 * Intermedio I: Music in Religious and Dynastic Ritual
Religious Ritual: A Cappella and Concerted Vocal Music
Religious Ritual: Music for Organ
Dynastic Ritual (Letat, cest moi): The Equestrian Ballet
17 * Opera in Florence, Act 2: The Pan-Italian Phase
A New Institution: The Opera House
Beginnings of the Pan-Italian Phase: La finta pazza
A Native Attempt at a Venetian-Style Opera: Celio
Venetian Imports: Ipermestra
A Distinctively Florentine Tradition of Comic Opera: Il potesta di Colognole
Venetian Imports: Ipermestra, Redux
The Baroque Aesthetic on Full Display: Ercole in Tebe, LOrontea, La Dori
18 * Intermedio II: Devotional and Convivial Uses of Music
Devotional: The Lauda Reimagined: Canzonette Spirituali
Devotional: The Oratorio
Convivial: Ballet Entertainments
Convivial: The Seicento Madrigal
Convivial: The Seicento Cantata
Convivial: Instrumental Genres
Convivial: The Invention of the Piano
19 * Opera in Florence, Act 3: The Pan-European Phase
Opera in Arcadia? The Halting Adoption of Reform PrinciplesGriselda
Grand Prince Ferdinando and a Restitution of Aristocratic Opera
The Reopening of Teatro della Pergola
Vincer se stesso e la maggior vittoria, or Rodrigo
Opera in Arcadia: The Fuller Adoption of Reform PrinciplesCatone in Utica
The Settecento Cantata
Conclusion
Acknowledgments
Notes
Bibliography
Index
Color illustrations follow page 000.