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Hotbeds of Licentiousness Benjamin Halligan

Hotbeds of Licentiousness By Benjamin Halligan

Hotbeds of Licentiousness by Benjamin Halligan


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Summary

By focusing on a series of colorful filmmakers whose work, while omnipresent during the 1970s, now remains critically ignored, Hotbeds of Licentiousness explores pornography as a lens through which to view radical changes in British society.

Hotbeds of Licentiousness Summary

Hotbeds of Licentiousness: The British Glamour Film and the Permissive Society by Benjamin Halligan

Hotbeds of Licentiousness is the first substantial critical engagement with British pornography on film across the 1970s, including the Summer of Love, the rise and fall of the Permissive Society, the arrival of Margaret Thatcher, and beyond. By focusing on a series of colorful filmmakers whose work, while omnipresent during the 1970s, now remains critically ignored, author Benjamin Halligan discusses pornography in terms of lifestyle aspirations and opportunities which point to radical changes in British society. In this way, pornography is approached as a crucial optic with which to consider recent cultural and social history.

Hotbeds of Licentiousness Reviews

Halligan thrives when exploring a texts cultural contradictions and the cracks in the philosophies underpinning the work. However, the books greatest asset is in taking these films (which rarely appear in most histories of British cinema) seriously. Choice

By engaging with both sides of the debate surrounding the Permissive Society in relation to pornography, Hotbeds of Licentiousness is extremely valuable as an original study of a field beset by difficulty not least the difficulty of tracking down and documenting this hinterland and the difficulty of coming to terms with its legacy. Journal of British Cinema and Television

Halligan has uncovered a new canon of British filmmakers who for the most part have been ignored in previous histories, who played an important role in this secretive, frequently controversial worldIn his new book we get some fascinating insight into the history of British pornography and its connection to politics and the campaigning against it of groups such as the Festival of Light For anyone interested in this occasionally murky aspect of British film industry, this is an essential addition to a library. Cinema Retro

This book is a thought-provoking read not only for devotees of British cinema, but for anybody interested in the byways of film production, how obscenity is defined, the rationale for censorship and that liminal area where film interacts with the prevailing culture. Off Screen

About Benjamin Halligan

Benjamin Halligan is the Director of the Doctoral College of the University of Wolverhampton. His publications includeDesires for Reality: Radicalism and Revolution in Western European Film(Berghahn Books, 2016) and theco-editedPolitics of the Many: Contemporary Radical Thought and the Crisis of Agency(Bloomsbury, 2021).

Table of Contents

List of illustrations
Acknowledgements

Introduction: The Soul of Pornography

Part I: The Permissive Society and Its Discontents

Chapter 1. Two Notional Regimes of Permissiveness
Chapter 2. An Anti-Permissive Front

Part II: The Hardcore

Chapter 3. The Connoisseur of Female Beauty and the Curve Prospector: Harrison Marks and Russell Gay
Chapter 4. Erectile and Societal Dysfunctionality: The John Lindsay Loops

Part III: The Softcore

Chapter 5. Derek Ford in Essex
Chapter 6. Tory Erotica: Sexual Fantasies for the Nouveau Riche
Chapter 7. David Hamiltons Uranian Cinema

Coda: Post-Permissive Pornography

Chapter 8. Fucking Bang Me Like a Slag!: Men with Men after Thatcher

Conclusion: Thats What the Average Man Wants

Reference List

Additional information

GOR013872227
9781800734869
1800734867
Hotbeds of Licentiousness: The British Glamour Film and the Permissive Society by Benjamin Halligan
Used - Like New
Hardback
Berghahn Books
2022-05-13
336
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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