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Deconstructing South Park Brian Cogan

Deconstructing South Park By Brian Cogan

Deconstructing South Park by Brian Cogan


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Deconstructing South Park Summary

Deconstructing South Park: Critical Examinations of Animated Transgression by Brian Cogan

Deconstructing South Park: Critical Examinations of Animated Transgression is an edited collection by Brian Cogan that looks at the long and controversial run of one of the most subversive programs on television. South Park, while denounced by many as simply scatological, is actually one of the most nuanced and thoughtful programs on television. The contributors to South Park reveal that, through the lens of four foul-mouthed nine year olds, Trey Parker and Matt Stone have created one of the most astute forms of social and political commentary in television history. Deconstructing South Park, itself the most ambitious deconstruction of popular culture to date, analyzes how South Park is not only entertainment, but a commentary on American culture that tackles controversial issues far beyond the depth of most television. Specifically, the medium of animated sitcom allows the show's creators to contribute to cultural conversations regarding disability studies, religion, sexuality, celebrity, and more. If South Park deconstructs American culture, then Cogan and his contributors deconstruct the deconstructionists and reveal South Park in all its hilarious and often contradictory complexity.

About Brian Cogan

Brian Cogan is associate professor in the Department of Communication Arts at Molloy College. List of Contributors: Michael Chemers; Brian Cogan; Martha Mary Daas; David Scott Diffrient; Jonathan Gray; Stephanie Hammer; James Hewitson; Hioni Karamanos; Nick Marx; Louise Noble; MJ Robinson; Lori Snaith; John-Paul Stephenson

Table of Contents

Acknowledgments Introduction - Deconstructing South Park? South Park is Deconstruction! Plus, as a Bonus, Why This Book is a Bad Idea. Or as Cartman Might Ask, Aimez-vous sucer mes couilles, Monsieur Derrida? by Brian Cogan Part I - Satirycon in Colorado Chapter One - From Whence Came Cartman: South Park's Satiric Lineage by Jonathan Gray Chapter Two - The Brown Noise: A Roundtable Discussion on Satire and South Park, led by Eric Cartman. With Introductory Remarks by Professor SH Chaos, Pandemonium University (suburban campus), Toxic Shock, California by Stephanie Hammer Part II - South Park and/is/on the Other Chapter Three - You Mean, I'm Not Special? Timmy, Jimmy, and the Double-Move of Disability Comedy in South Park By Michael M. Chemers and Hioni Karamanos Chapter Four - But I'm not in the closet! Or, Oh My God It's George Clooney as the Voice of the Dog! South Park, Celebrity, and Thank God Libel Laws are Not as Tough as They are in England! by Brian Cogan Part III - God, the Devil, and Cartman Chapter Five - Parody and Transgression: Religious Discourse in South Park by Martha Mary Daas Chapter Six - The Devil Went Up to Colorado: Satan Comedy in South Park by Lori Snaith Chapter Seven: The South Park Apocalyptic: Smaller, Shorter, & All Cut Up by James Hewitson Part IV - Meta-Discourse and Literary History Chapter Eight: The most foul of the foul words: South Park and Meta-Discourse by John-Paul Stephenson Chapter Nine: I made you eat your parents!: South Park and Literary History by Louise Noble Part V - Matt and Trey Talk a Lot of Shit, Literally Chapter Ten - Respecting 'Authoritah': Trey Parker, Matt Stone, and Authorship in South Park and Beyond by Nick Marx Chapter Eleven - The Feminine Mistook: Carnival Feminist Humor and South Park by MJ Robinson Part VI - And Now for Something Completely Diffrient Chapter Twelve - Tweaking Art, the Art of Tweek: Aesthetic Desecration and the Politics of Possession in South Park by David Scott Diffrient Bibliography About the Contributors

Additional information

NLS9780739167465
9780739167465
B0079UC1SS
Deconstructing South Park: Critical Examinations of Animated Transgression by Brian Cogan
New
Paperback
Lexington Books
2011-12-09
254
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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