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Old Norse Poetry in Performance Brian McMahon

Old Norse Poetry in Performance By Brian McMahon

Old Norse Poetry in Performance by Brian McMahon


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Summary

This book presents a range of approaches to the study of Old Norse poetry in performance. This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.

Old Norse Poetry in Performance Summary

Old Norse Poetry in Performance by Brian McMahon

This book presents a range of approaches to the study of Old Norse poetry in performance.

The contributors examine both eddic and skaldic poems and consider the surviving evidence for how they were originally recited or otherwise performed in medieval Scandinavia, Iceland and at royal courts across Europe. This study also engages with the challenge of reconstructing medieval performance styles and examines ways of applying the modern discipline of Performance Studies to the fragmentary corpus of Old Norse verse. The performance of verse by characters who appear in the Old Icelandic saga tradition is also considered, as is the cultural value associated not only with the poems themselves but with their various means of transmission and reception.

This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.

About Brian McMahon

Brian McMahon is an Associate Lecturer in English at Oxford Brookes University and Artistic Director at Reverend Productions.

Annemari Ferreira is Assistant Professor of English as a Foreign Language and Writing Centre Coordinator at SolBridge International School of Business, Woosong University, South Korea. She holds a research fellowship at the Africa Open Institute for Music, Research and Innovation at Stellenbosch University, South Africa.

Table of Contents

Acknowledgements

List of Contributors

Introduction by Terry Gunnell

Part 1: The Social Dynamics of Performance

Chapter 1: Framing Old Norse Performance Contexts: The Wedding at Reykjaholar (1119) Revisited by Stephen A. Mitchell

Part 2: Voice and Performance

Chapter 2: Revisiting Zumthorian Vocality in Old Norse Poetry Studies by Ines Garcia Lopez

Chapter 3: me skara skjoldu ok skotnar brynjur: The Distribution and Function of Aural Sense Impressions in Old Norse Poetry by Simon Nygaard

Chapter 4: Dramatic Implications of Echoed Speech in Skirnismal by Harriet Soper

Part 3: Collocation and Quotation

Chapter 5: Eddic Poetry and the Uses of Anonymity by John McKinnell

Chapter 6: Accretive Quotation and the Performance of Stanzas in Fagrskinna by Helen F. Leslie-Jacobsen

Part 4: Material Culture

Chapter 7: Old Norse Poetry in Visual Art: a Comparative Perspective with the Islamic World by Rebeca Franco Valle

Chapter 8: How the Hell Do You Read This? The Evolution of Eddic Orality through Manuscript Performance by Frog

Part 5: Modern Approaches to Performing Old Norse Poetry

Chapter 9: Old Norse Poetry in Performance: Perils, Pitfalls and Possibilities by Brian McMahon

Chapter 10: Interview with Leif Stinnerbom

Chapter 11: Interview with Einar Selvik

Chapter 12: Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed Singer of Tales by Benjamin Bagby

Chapter 13: beta e que fm flutt: Kvenar Drapur og Kvenar Rimur by Petur Huni Bjornsson

Additional information

NPB9780367408305
9780367408305
0367408309
Old Norse Poetry in Performance by Brian McMahon
New
Hardback
Taylor & Francis Ltd
2022-05-03
314
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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