This story ripples with mystery and intrigue from the first page * * Daily Mail * *
A markedly assured new voice . . . a novel of increasing psychological suspense . . . its story and narrative will put many readers under a deliciously shivery spell * * Sunday Telegraph * *
A drought-ridden, riot-threatened country; a sinister religious cult; a child's unsolved murder; and a culture of surveillance. Catherine Chanter's first novel has the ingredients of a dystopian nightmare, yet it's more . . . a literary page-turner * * Independent * *
This accomplished debut is both a futuristic evocation of a Big Brother society and an Ibsenite fable of humans faced with limited resources * * Observer * *
A haunting novel about ordinary people confronted by extraordinary situations * * Elle * *
I loved this book! -- JESSIE BURTON * * author of THE MINIATURIST * *
There is undeniable power - both of ideas and execution - here. Fans of the once-upon-a-time, read on * * Guardian * *
The Well has the pulse of a thriller combined with a futuristic evocation of a Big Brother society and an Ibsenite fable of humans faced with limited resources. It is so astoundingly assured that I wondered if A. S. Byatt had adopted a pseudonym -- ALLISON PEARSON
The Well is Ruth's narrative, a patchwork of memories too painful to forget and those too painful to remember. It is a curious mixture of a story being told, a personal history being recalled, and a reminder being related to a close friend, or even to oneself . . . How could you accurately summarise this book? I've written well over a thousand words and still don't feel I've captured it at all . . . but I couldn't get enough of it. I'll be keeping an eye out for it (and urging everyone to try it) when it's published in March. The Well is comparable to lots of other books in various small ways, but ultimately stands on its own as something totally unique. It confounds expectations and is a stunning debut. 10/10 * * Learn This Phrase blog, 10/10 * *
This book is extraordinary . . . intoxicating . . . This is proper feminist post-apocalyptic fiction for those who are still missing Station 11 -- Alexandra Heminsley * * The Debrief * *
Superb: frighteningly assured, its themes are deftly tied together and it manages to maintain real suspense . . . Its treatment of grief and anger - at a world dying, at the vicious dissolution of a marriage - and of the fear of one's own inner darkness is so realistically drawn that it would threaten to overwhelm without the focus that Chanter bring * * Skinny * *
The Well perfectly balances the cross-genre tightrope of an unsettling dark thriller with a dystopian setting * * Dulwich Books Review * *
Compelling . . . lyrical . . . it is the emotional drama which hooks the reader in this beautifully written fable for a modern age * * We Love This Book * *
A haunting, beautifully written, and utterly believable novel that probes the fragility of our personal relationships and the mystical connection between people and the places they call home * * OMG That Book * *
I was gripped by Catherine Chanter's The Well immediately. The beauty of her prose is riveting, the imagery so assured. This is an astonishing debut -- Sarah Winman * * When God Was a Rabbit * *
"Would you call it a chiller?" Someone asked across The Pool office, grasping for the right word to describe the indescribable. Yes, yes I would. But also a taut unsolved murder, a psychological suspense, and an insightful study of what makes human relationships function under duress that will keep the pages turning long, long after bedtime -- Sam Baker * * The Pool * *
Calls to mind fiction by Margaret Atwood and Michel Faber although stylistically Chanter has developed a strong voice of her own . . . The novel's greatest power is lyrical language: this unsettling tale is awash with imagery of water as Chanter explores the sense of identity as fluid, truth a slippery thing, certainties dissolving. Fiction proves a terrific tool for testing what exists and what is merely a fragment of the imagination . . . As love and water drain out of characters' lives, language swells in to tell a frightening and forceful story about what sustains and nourishes us, what keeps us well -- Anita Sethi * * Observer * *
