Elliott gorgeously personifies nature and everyday things in her atmospheric latest. . . . Elliott offers beauty and surprise at every turn. * Publishers Weekly *
The enduring impact of Elliott's precision with language is one of enchantment and intimacy. Her speakers whisper runes, puzzle-like secrets that strike readers on a primal level before rising to cerebral comprehension. * Booklist (starred review) *
It's because she's so artfully surprising that Elliott manages to do something very difficult here: she convincingly and movingly speaks in the first-person plural about urgent subjects, and yet she never sounds the least bit rhetorical. In the work of a poet as a good as Elliott, imagination and subjects aren't opposed: they vitalize one another. * Public Books *
Elliott's quite amazing Blue in Green is an intricate series of forays and restatements, an ongoing investigation of the language of the world and a search less for 'meaning' than among versions of possibility, a search not unlike the sketches in the song that lends its title to the book, the song that takes the good listener beyond the song itself. And here, the good reader's escorted past and beneath the terms of common capture and into reference as points of ecstatic departure, as openings. There's startling power in Blue in Green, there's news here that stays news. -- C .S. Giscombe, author of Ohio Railroads
The material of Elliott's Blue in Green- time, music, pleasure, dream, water, memory-all share one commonality: the reverberation of the past tense, which ebbs and flows like a wave into a perpetual present. This bleeding into serves as a language-game not unlike Wittgenstein's theory of colour concepts. Each poem establishes a visual and sonic logic through linguistic image, a depiction of the way the past becomes a composite that is understood only as it transforms, like Elliott explains, 'As glitter is to lake,/ Like sunlight is to ache, like ache is to mountains.' Elliott's work is polyphonic; the past and present each have their own voice, an eventual harmony, like the sky falling into grass, like two seas mixing. The poems of Blue in Green are exquisite collages of time stopped and continuing. -- Kimberly Grey, author of Systems for the Future of Feeling
Blue in Green is full of strange truths and a weaved, wonderful singing. Elliott's poems perch and pry at the radiant seams of reality, her voice igniting the numinous verves between imagination and understanding. -- Geffrey Davis, author of Night Angler
Elliott's latest collection is a continuous love letter to all that we've lost. Yet instead of wailing or teeth-gnashing or rebuking the thing that has stolen that love, Blue in Green, brings us close, reminding us to cling to that which makes love worth loving in the first place, 'Let summer wash its face/and stand in the pasture/and gather up its green buttons.' Let Blue in Green be the book that rewards its readers with the seamless confluence of dream-life and real-life, awaking us to the fact that recovery takes time, but also takes unwavering examination. -- F. Douglas Brown, author of ICON
