Why Stories Matter is an exciting and impressive book, one that cannot fail to have an impact on the feminist academic community. Clare Hemmings contributes to radical new understandings of feminist theory by brilliantly synthesizing the debates that currently animate the field, and then intervening in ways that force the rethinking of accepted wisdom.-Rosi Braidotti, Director, Centre for the Humanities, Utrecht University
I read Why Stories Matter with pleasure; it manages to specify and scrutinize much of what I too find dissatisfying, exasperating, and even enraging about contemporary conversations in academic feminism.-Eva Cherniavsky, author of Incorporations: Race, Nation, and the Body Politics of Capital
Whatever happens to Anglo-European feminist theory and politics in the future, the way we look at its past will never be the same again. This extraordinary book identifies the revolutionary elements of a truly global feminist sensibility so urgently required in the present: accountability, reflexivity, and an ability to grasp the intersections between different forms of inequality and power.-Vron Ware, co-author of Out of Whiteness: Color, Politics, and Culture
Why Stories Matter animates the field of feminist intellectual historiography. Hemmings provides a comprehensive and incisive approach that describes, critiques, and transforms the stories feminist scholars tell about their past. . . . Hemmings reminds us why our stories about the past of feminist scholarship have political and ethical prescience and, thus, why they matter. -- Kelly Coogan-Gehr * Signs *
Clare Hemmings's Why Stories Matter is poised to prompt a major rethinking of feminist theory, and more importantly, of how we construct our histories of this field - and what this says about feminists' intellectual investments and our futures. This is an engagingly written and highly original close reading of theoretical debates in the pages of top feminist journals. . . . The result is a stimulating book, one that has the power to interrogate the reader's theoretical commitments, the stories she tells herself about her field, and the stories she tells others, including, if she teaches, her students. -- Ilya Parkins * Reviews in Cultural Theory *
Hemmings' interventions do more than constitute a meta-critique of Western feminism; they historicize and provincialize Western feminism with implications on how gender, sexuality and feminism are understood and taken up in a variety of trans/national contexts. This book is compulsory reading for anyone interested in feminism today; not just in Anglo-American feminism or in feminist theory, however, demarcated. -- Srila Roy * Feminist Review *
Hemmings's book is an extraordinary encapsulation of major trends in recent feminist thought and is sweeping without being glossing, specific without getting mired in detail. Her contributions include not only exposing metanarratives that drive political investments without our noticing but also suggesting that feminists can gain more control over how feminism circulates by attending to this politicoemotional grammar. -- Naomi Greyser * Feminist Studies *
This excellent, original book identifies and critiques the stories feminists tell about feminism. . . . Hemmings's practice of detaching scholars' names from their writing is inspired, because it moves away from praising or vilifying individual authors in favor of looking at prevailing narrative patterns. . . . Highly recommended. All readers. -- R. R. Warhol * Choice *
... Hemmings is convincing in her mapping and unpacking of the recurring narratives, and argues persuasively that feminist scholars must take their roles as storytellers seriously... Hemming's passionate and erudite book should be embraced.... -- Fiona Philip * Parallax *
Hemmings's feminist narratives ... point to the potential of a feminist political grammar genuinely capable of promoting the kind of global social change so urgently needed. -- Karen J. Leader * Storytelling, Self, Society *
