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The Palgrave Handbook of Screen Production Craig Batty

The Palgrave Handbook of Screen Production By Craig Batty

The Palgrave Handbook of Screen Production by Craig Batty


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Summary

This handbook is an essential creative, critical and practical guide for students and educators of screen production internationally. The Palgrave Handbook of Screen Production fills an important gap in creative-critical knowledge of screen production, while also providing practical tools and approaches for future practitioners.

The Palgrave Handbook of Screen Production Summary

The Palgrave Handbook of Screen Production by Craig Batty

This handbook is an essential creative, critical and practical guide for students and educators of screen production internationally. It covers all aspects of screen productionfrom conceptualizing ideas and developing them, to realizing and then distributing themacross all forms and formats, including fiction and non-fiction for cinema, television, gallery spaces and the web. With chapters by practitioners, scholars and educators from around the world, the book provides a comprehensive collection of approaches for those studying and teaching the development and production of screen content. With college and university students in mind, the volume purposely combines theory and practice to offer a critically informed and intellectually rich guide to screen production, shaped by the needs of those working in education environments where doing and thinking must co-exist. The Palgrave Handbook of Screen Production fills an important gap in creative-critical knowledge of screen production, while also providing practical tools and approaches for future practitioners.

About Craig Batty

Craig Batty is Dean of Research at University of South Australia, Australia, where he specialises in the theory and practice of screenwriting.

Associate Professor Marsha Berry is a writer and artist, specialising in mobile media practice, at RMIT University, Australia.

Dr Kath Dooley is a filmmaker, screenwriter and Senior Lecturer at Curtin University, Australia.

Dr Bettina Frankham is a practice-based researcher in digital media at the University of Technology Sydney, Australia.

Associate Professor Susan Kerrigan is a specialist in creative industries and screen production research at the University of Newcastle, Australia.

Collectively, the editors comprise the Research Sub-Committee of the Australian Screen Production Education and Research Association (ASPERA).

Table of Contents

Part 1: Conceptualising the screen work: ideas, intentions, contexts.-Chapter 1Creative filmmaking processes, procedures and practices: Embodied and internalised filmmaking agency.-Chapter 2 Commission, position and production: Intent and intervention in minority language programmes.-Chapter 3Having something to say and saying it well.-Chapter 4Understanding the underlying principles of the short film.-Chapter 5Two screenplays, one writer, national voice.-Chapter 6Off screen: Re-imagining animation.-Chapter 7The Dr Egg Adventures: Incorporating user-generated content and user-testing strategies in pre-production conceptualization and development of a multi-platform storyworld.-Chapter 8Taking place, screening place: Studying locations in television drama production.-Chapter 9Wayfaring, co-presence and mobility: Conceptualising and re-conceptualising with smartphones.-Part 2:Developing the screen work: collaboration, imagination, distillation.-Chapter 10Writing bodies: developing and scripting an embodied feature film screenplay.-Chapter 11Putting theory into practice: Structuring the personal essay documentary, The Silences.-Chapter 12Work-in-progress: The Writing of Shortchanged.-Chapter 13Developing Baxter and Me: Maintaining authorial voice against industry pressures.-Chapter 14Writers, producers and creative entrepreneurship in web series development.-Chapter 15Local content producers: Co-creating communal stories and community in the Big Stories, Small Towns participatory documentary project.-Part 3: Realising the screen work: practice, process, pragmatism.-Chapter 16Creative Practice: A Love Story.-Chapter 17Creating and designing the contemporary soundtrack: A case study.-Chapter 18The (braided) documentary voice: theorising the complexities of documentary making.-Chapter 19Editing the observed: Evaluation and value creation processes in the editing of a feature documentary film.-Chapter 20The beginning of a beautiful relationship: A case study exploration of collaborative creative practice.-Chapter 21Make it in post: Digital visual effects and the temporality of creative value in post-production.-Chapter 22Trapped: A case study of international co-production.-Chapter 23Production practices in the filming of German scripted reality shows.-Chapter 24Embracing the TV commercial: Charms and challenges of selling on screen.-Part 4: Exhibiting the screen work: places, spaces, ecologies.-Chapter 25Producing the other in international film festivals: Festival fund, address and the making of authenticity in Gabriel Mascaros Neon Bull.-Chapter 26The Live Cinema paradox: Continuity and innovation in live film broadcast, exhibition, and production.-Chapter 27Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology.-Chapter 28Dispositifs at play: Artists moving image in the gallery.-Chapter 29Mobile reception: Materiality and locality with small screens.-Chapter 30Appeasing the trolls: Contextualising new screen practices with smartphones.-Part 5: Teaching the screen work: pedagogies, practices, approaches.-Chapter 31 There is no e in constraints: Teaching creativity in Higher Education screen production.-Chapter 32 Is this degree practical or theoretical? Screen and media education, studio-based teaching and signature pedagogies.-Chapter 33Teaching screen arts in Australia: Challenges, opportunities and current trends.-Chapter 34VR and screen education: An approach to assist student understanding of narrative emphasis, spatiality and structural elements within narrative VR.-Chapter 35Teaching screenwriting through script development: Looking beyond the screenplay.

Additional information

NPB9783030217433
9783030217433
3030217434
The Palgrave Handbook of Screen Production by Craig Batty
New
Hardback
Springer Nature Switzerland AG
2019-11-27
482
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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