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After Hitchcock David Boyd

After Hitchcock By David Boyd

After Hitchcock by David Boyd


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Summary

Thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism.

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After Hitchcock Summary

After Hitchcock: Influence, Imitation, and Intertextuality by David Boyd

Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium.

In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists.

After Hitchcock Reviews

All in all, After Hitchcock is a readable and informative anthology that dares to present a different take on Hitchcock. * Film International *

About David Boyd

David Boyd is Research Associate in Film and English at the University of Newcastle in New South Wales, Australia.

R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University in South Carolina, where he directs the Film Studies Program.

Table of Contents

  • Introduction (David Boyd and R. Barton Palmer)
  • I: Psycho Recycled
    • 1. For Ever Hitchcock: Psycho and Its Remakes (Constantine Verevis)
    • 2. Hitchcockian Silence: Psycho and Jonathan Demme's The Silence of the Lambs (Lesley Brill)
  • II: The Return of the Repressed
    • 3. Shadows of Shadow of a Doubt (Adam Knee)
    • 4. Psycho or Psychic? Hitchcock, Dead Again, and the Paranormal (Ina Rae Hark)
  • III: The Politics of Intertextuality
    • 5. The Hitchcock Romance and the '70s Paranoid Thriller (R. Barton Palmer)
    • 6. Exposing the Lies of Hitchcock's Truth (Walter Metz)
  • IV: Found in Translation
    • 7. Red Blood on White Bread: Hitchcock, Chabrol, and French Cinema (Richard Neupert)
    • 8. You're Tellin' Me You Didn't See: Hitchcock's Rear Window and Antonioni's Blow-Up (Frank P. Tomasulo)
    • 9. Melo-Thriller: Hitchcock, Genre, and Nationalism in Pedro Almodovar's Women on the Verge of a Nervous Breakdown (Ernesto R. Acevedo-Munoz)
    • 10. Knowing Too Much about Hitchcock: The Genesis of the Italian Giallo (Philippe Met)
  • V: Theoretically Hitchcockian
    • 11. Death at Work: Hitchcock's Violence and Spectator Identification (Robert Sklar)
    • 12. Hitchcock and the Classical Paradigm (John Belton)
  • VI: Modus Operandi
    • 13. How to Steal from Hitchcock (Thomas M. Leitch)
  • Notes on Contributors
  • Index

Additional information

CIN029271338XG
9780292713383
029271338X
After Hitchcock: Influence, Imitation, and Intertextuality by David Boyd
Used - Good
Paperback
University of Texas Press
20061101
290
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in good condition, but if you are not entirely satisfied please get in touch with us

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