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The Sacred and the Sinister David J. Collins, S. J. (Associate Professor of History, Georgetown)

The Sacred and the Sinister By David J. Collins, S. J. (Associate Professor of History, Georgetown)

The Sacred and the Sinister by David J. Collins, S. J. (Associate Professor of History, Georgetown)


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Summary

A collection of essays focusing on the relationship between concepts of the holy and the unholy in western European medieval culture. Demonstrates how religion, magic, and science were all modes of engagement with a natural world that was understood to be divinely created and infused with mysterious power.

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The Sacred and the Sinister Summary

The Sacred and the Sinister: Studies in Medieval Religion and Magic by David J. Collins, S. J. (Associate Professor of History, Georgetown)

Inspired by the work of eminent scholar Richard Kieckhefer, The Sacred and the Sinister explores the ambiguities that made (and make) medieval religion and magic so difficult to differentiate. The essays in this collection investigate how the holy and unholy were distinguished in medieval Europe, where their characteristics diverged, and the implications of that deviation.

In the Middle Ages, the natural world was understood as divinely created and infused with mysterious power. This world was accessible to human knowledge and susceptible to human manipulation through three modes of engagement: religion, magic, and science. How these ways of understanding developed in light of modern notions of rationality is an important element of ongoing scholarly conversation. As Kieckhefer has emphasized, ambiguity and ambivalence characterize medieval understandings of the divine and demonic powers at work in the world. The ten chapters in this volume focus on four main aspects of this assertion: the cult of the saints, contested devotional relationships and practices, unsettled judgments between magic and religion, and inconclusive distinctions between magic and science.

Freshly insightful, this study of ambiguity between magic and religion will be of special interest to scholars in the fields of medieval studies, religious studies, European history, and the history of science.

In addition to the editor, the contributors to this volume are Michael D. Bailey, Kristi Woodward Bain, Maeve B. Callan, Elizabeth Casteen, Claire Fanger, Sean L. Field, Anne M. Koenig, Katelyn Mesler, and Sophie Page.

The Sacred and the Sinister Reviews

This collection of essays brings together two areas that are still often looked at separately: the history of magic and the history of saints, mystics, and more everyday parishioners. As well as celebrating the work of Richard Kieckhefer, Collins's volume showcases the original work being done by leading scholars in the field. It should stimulate new work on the relationship between holiness and unholiness in the Middle Ages.

-Catherine Rider, author of Magic and Religion in Medieval England


This fascinating collection explores, as its dedicatee has done throughout his career, the fundamental ambivalence between 'the holy and the unholy.' Perfectly capturing Richard Kieckhefer's eclectic interests, the book includes essays on topics ranging from saints and their hagiographers, to church buildings (and their embodiments of identities and meanings), to heresy, demons, and magic. Kieckhefer once quipped that his scholarship has a right hand and a left hand. Both sides are delightfully represented here.

-Laura Ackerman Smoller, author of The Saint and the Chopped-Up Baby: The Cult of Vincent Ferrer in Medieval and Early Modern Europe


Apart from the introduction, this volume contains ten contributions by Anglophone authors-discipuli, collegae, amici-which, as usual, prove to be of quite diverse subject matter and quality.

-Peter Dinzelbacher, Sehepunkte


The collection of essays presented here represents a valuable contribution to recent and ongoing efforts to complicate assumptions about religion, science and magic as operating within distinct environments with distinct ideological underpinnings. This fascinating range of essays is suggestive of the multiplicity of environments and contexts in which the sacred and the sinister became sometimes disturbingly entangled.

-Jennifer Farrell, Journal of Ecclesiastical History

About David J. Collins, S. J. (Associate Professor of History, Georgetown)

David J. Collins, S.J., is Associate Professor of History at Georgetown University.

Table of Contents

Acknowledgments

Introduction: Flirting Between Heaven and Hell

David J. Collins, S.J.

Part 1: Traditional Holiness

1. Extreme Sanctity at the Turn of the Thirteenth Century: The Metamorphosis of Body and Community in the Vitae of Christina Mirabilis and Francis of Assisi

Claire Fanger

2. The Sources and Significance of Stefania's New Statement on Margherita Colonna's Perfection of the Virtues

Sean L. Field

Part 2: Conflicts over the Holy

3. Materializing Conflict: How Parish Communities Remember

Their Medieval Pasts

Kristi Woodward Bain

4. Rape and Rapture: Violence, Ambiguity, and Raptus in Medieval Thought

Elizabeth Casteen

5. Syneisaktism : Sacred Partnership and Sinister Scandal

Maeve B. Callan

Part 3: Identifying and Grappling with the Unholy

6. Was Magic a Religious Movement?

Michael D. Bailey

7. The Jurisdiction of Medieval Inquisitors over Jews and Muslims: Nicholas Eymeric's Contra infideles demones invocantes

Katelyn Mesler

8. Magicking Madness: Secret Workings and Public Narratives of Disordered Minds in Late Medieval Germany

Anne M. Koenig

Part 4: Magic and the Cosmos

9. A Late Medieval Demonic Invasion of the Heavens

Sophie Page

10. Scholastics, Stars, and Magi: Albert the Great on Matthew 2

David J. Collins, S.J.

Selected Bibliography

List of Contributors

Index

Additional information

CIN0271082402G
9780271082400
0271082402
The Sacred and the Sinister: Studies in Medieval Religion and Magic by David J. Collins, S. J. (Associate Professor of History, Georgetown)
Used - Good
Hardback
Pennsylvania State University Press
20190320
304
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in good condition, but if you are not entirely satisfied please get in touch with us

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