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Oxford Anthology of Western Music David J. Rothenberg (Associate Professor of Music, Case Western Reserve University)

Oxford Anthology of Western Music By David J. Rothenberg (Associate Professor of Music, Case Western Reserve University)

Oxford Anthology of Western Music by David J. Rothenberg (Associate Professor of Music, Case Western Reserve University)


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Summary

The Oxford Anthology of Western Music, Volume One: The Earliest Notations to the Early Eighteenth Century, accompanies chapters 1-11 of The Oxford History of Western Music, College Edition, by Richard Taruskin and Christopher H. Gibbs.

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Oxford Anthology of Western Music Summary

Oxford Anthology of Western Music: Volume One: The Earliest Notations to the Early Eighteenth Century by David J. Rothenberg (Associate Professor of Music, Case Western Reserve University)

The Oxford Anthology of Western Music, Volume One: The Earliest Notations to the Early Eighteenth Century, accompanies chapters 1-11 of The Oxford History of Western Music, College Edition*, by Richard Taruskin and Christopher H. Gibbs (9780195097627). From ancient Greek music and Christian plainchant to the keyboard sonatas of Domenico Scarlatti, this comprehensive volume includes a rich assortment of landmark musical scores. These include works found in many surveys as well as important pieces that are rarely anthologized, including Antoine de Fevin's Missa super Ave Maria; Adrian Willaert's Benedicta es; the Overture and Act 3 of Jean-Baptiste Lully's Atys; Dietrich Buxtehude's Durch Adams Fall; and an aria from Jean-Philippe Rameau's Castor et Pollux. Designed with students in mind, this unique collection includes introductory essays at the beginning of each piece and an index of names and terms. A corresponding set of recordings* (2 CDs) contains all musical examples from the anthology in high-quality MP3 format (9780199768288). ALSO AVAILABLE* Oxford Anthology of Western Music Volume Two: The Mid-Eighteenth Century to the Late Nineteenth Century Edited by Klara Moricz and David E. Schneider > V2 Print Anthology: 9780199768264 > V2 Recorded Anthology (3 CDs): 9780199768295 Oxford Anthology of Western Music Volume Three: The Twentieth Century Edited by Klara Moricz and David E. Schneider > V3 Print Anthology: 9780199768271 > V3 Recorded Anthology (2 CDs): 9780199768301 Oxford Recorded Anthology of Western Music Concise Edition > Recorded Anthology (3 CDs): 9780199768318 The Oxford History of Western Music College Edition Richard Taruskin and Christopher H. Gibbs > Textbook: 9780195097627 * Sold separately

About David J. Rothenberg (Associate Professor of Music, Case Western Reserve University)

David J. Rothenberg is Associate Professor of Music at Case Western Reserve University. Robert R. Holzer is Associate Professor of Music History at the Yale University School of Music.

Table of Contents

Preface ; Note on Score Reading ; 1. Epitaph of Seikilos ; Instructions for Reading Quadratic Notation ; 2. Psalm Verse, Justus ut palma (Ps. 91, 12) in Four Liturgical Settings ; a) Antiphon to Full Psalm Recitation (Commemoration of a Martyr Saint) ; b) Introit (Commemoration of a Saint Who Was a Confessor but Not a Bishop) ; c) Offertory (Commemoration of a Church Doctor) ; d) Alleluia (Commemoration of an Abbot) ; 3. Two Graduals ; a) Justus ut palma (Feast of St. John the Baptist) ; b) Haec dies (Easter Sunday) ; 4. Frankish Chants for the Mass Ordinary ; a) Kyrie IV ; b) Cunctipotens Genitor Deus ; c) Gloria IV ; d) Credo I ; e) Sanctus I ; f) Agnus Dei II ; 5. Two Sequences in Modern Use ; a) Victimae paschali laudes (Easter) ; b) Dies irae (Mass for the Dead) ; 6. Hildegard of Bingen, Columba aspexit (Sequence for St. Maximinus) ; 7. Three Frankish Hymns ; a) Ave maris stella (Veneration of the Virgin Mary) ; b) Pange lingua gloriosi (Feast of Corpus Christi) ; c) Veni creator spiritus (Pentecost) ; 8. Two Tropes to the Easter Introit, Resurrexi et adhuc tecum sum ; a) Ecce pater ; b) Quem quaeritis in sepulchro ; 9. Two Marian Antiphons ; a) Regina caeli laetare ; b) Salve Regina ; 10. Bernart de Ventadorn, Can vei la lauzeta mover (When I see the lark flutter his wings) ; 11. Marcabru, L'autrier jost' una sebissa (The other day by a hedge row) ; 12. La Comtessa de Dia, A chantar m'er de so qu'ieu no volria (I must sing of that which I would rather not) ; 13. Richard the Lionheart, Ja nun hons pris (No captive can tell his story) ; 14. Moniot d'Arras, Ce fut en mai (It was in May) ; 15. Adam de la Halle, Three Dance Songs with Refrains ; a) Je muir, je muir d'amorete (I die, I die of love), Rondeau ; b) Dieus soit en cheste maison (God, be in this house), Ballade ; c) Fines amouretes (I have many fine lovers), Virelai ; 16. Anonymous, Jubilemus exultemus ; 17. Anonymous, Ad superni Regis ; 18. Leonin, Viderunt omnes ; 19. Perotin, Viderunt omnes ; 20. Anonymous, Vetus abit littera ; 21. Anonymous, Ex semine rosa/Ex semine Habrahe/EX SEMINE ; 22. Anonymous, L'autre jour/Au tens pascour/IN SECULUM ; 23. Anonymous, On parole/A Paris/FRESE NOUVELE ; 24. Attributed to Philippe de Vitry, Tribum/Quoniam/MERITO ; 25. Guillaume de Machaut, Felix virgo/Inviolata/AD TE SUSPIRAMUS ; 26. Guillaume de Machaut, Three Virelais ; a) Douce dame jolie (Fair, sweet lady) ; b) En mon cuer (In my heart) ; c) Tres bonne et belle (Very good and beautiful lady) ; 27. Guillaume de Machaut, Rose, liz (Rose, lily) ; 28. Guillaume de Machaut, Messe de Nostre Dame (Mass of Our Lady), Kyrie ; 29. Philippus de Caserta, En remirant (While admiring) ; 30. Solage, Fumeux fume (A smoker smokes) ; 31. Jacopo da Bologna, Two Settings of Osellecto selvaggio (A wild bird) ; a) Madrigal ; b) Caccia ; 32. Francesco Landini, Non avra ma' pieta (My lady will never have on pity me) ; 33. Johannes Ciconia, Doctorum Principem/Melodia Suavissima/VIR MITIS ; 34. Guillaume Du Fay, Nuper rosarum flores/TERRIBILIS EST LOCUS ISTE ; 35. Anonymous, Sumer is icumen in (Summer has come) ; 36. Anonymous, Thomas gemma Cantuariae/Thomas cesus in Doveria ; 37. John Dunstable, Quam pulchra es ; 38. Guillaume Du Fay, Ave maris stella ; 39. Gilles Binchois, Deuil angoisseux (Anguished grief) ; 40. Anonymous, Missa Caput, Kyrie ; 41. Johannes Ockeghem, Missa Caput, Kyrie ; 42. Antoine Busnoys, Missa L'homme arme ; a) Sanctus ; b) Agnus Dei ; 43. Philippe Basiron, Salve regina ; 44. Loyset Compere, Ave Maria ; 45. Johannes Ockeghem, Ma bouche rit (My mouth laughs) ; 46. Johannes Ghiselin, La Alfonsina ; 47. Josquin des Prez, Ave Maria ... Virgo serena ; 48. Antoine de Fevin, Missa super Ave Maria, Kyrie ; 49. Josquin des Prez, Benedicta es ; 50. Adrian Willaert, Benedicta es ; 51. Giovanni Pierluigi da Palestrina, Missa Papae Marcelli (Mass of Pope Marcellus), Kyrie, Gloria, Credo ; 52. Giovanni Pierluigi da Palestrina, Tui sunt caeli ; 53. William Byrd, two settings of the Agnus Dei ; a) The Mass in Four Parts ; b) The Mass in Five Parts ; 54. Johann Walther, Christ lag in Todesbanden (Christ lay in the bonds of death) ; 55. Giovanni Gabrieli, In ecclesiis ; 56. Marco Cara, Mal un muta per effecto (One cannot really change) ; 57. Claudin de Sermisy, Tant que vivray (As long as I live) ; 58. Orlando di Lasso, Four Compositions ; a) Je l'ayme bien (I love her) ; b) Matona mia cara (My lady, my darling) ; c) Audite nova (Hear the news) ; d) Prophetiae Sibyllarum, Prologue ; 59. Jacques Arcadelt, Il bianco e dolce cigno (The white and sweet swan) ; 60. Cipriano de Rore, Dalle belle contrade d'oriente (From the fair regions of the east) ; 61. Luca Marenzio, Solo e pensoso (Alone and thoughtful) ; 62. Claudio Monteverdi, Cruda Amarilli (Cruel Amaryllis) ; 63. Carlo Gesualdo, Moro, lasso (I shall die, O miserable me) ; 64. Thomas Weelkes, As Vesta was from Latmos hill descending ; 65. Giulio Caccini, Le nuove musiche: Amarilli, mia bella (Amaryllis, my beautiful one) ; 66. Jacopo Peri, Le musiche ... sopra l'Euridice, Excerpt from Scene 2 ; 67. Claudio Monteverdi, L'Orfeo favola in musica, Act 2 ; 68. Claudio Monteverdi, L'incoronazione di Poppea (The Coronation of Poppea), Excerpts from Acts 1 and 3 ; 69. Girolamo Frescobaldi, Cento partite sopra passacagli, (A Hundred Variations on Passacagli) ; 70. Samuel Scheidt, Christ lag in Todesbanden (Christ lay in the bonds of death) ; 71. Heinrich Schutz, Symphoniae sacrae: I, Op. 6, O quam tu pulchra es (O how beautiful art thou) ; 72. Heinrich Schutz, Symphoniae sacrae: III, Op. 12, Saul, Saul, was verfolgst du mich, (Saul, Saul, why do you persecute me?) ; 73. Giacomo Carissimi, Jephthe, Concluding solo and chorus ; 74. Barbara Strozzi, Lagrime mie (My tears) ; 75. Jean-Baptiste Lully, Atys, Overture and Act 3 ; 76. Jean-Philippe Rameau, Castor et Pollux, Act 5, Scene 7, arietta ; 77. Henry Purcell, Dido and Aeneas, Act 3, Conclusion ; 78. Alessandro Scarlatti, Andate, o miei sospiri (Go, oh my sighs) ; 79. Arcangelo Corelli, Trio Sonata in G minor, Op. 3, No. 11 ; 80. Antonio Vivaldi, La primavera (Spring) ; 81. Two Chorale Preludes on Durch Adams Fall ist ganz verderbt (Through Adam's Fall We Are Condemned), (a) Dietrich Buxtehude, BuxWV 183, (b) Johann Sebastian Bach, BWV 637, fromOrgel-Buchlein ; 82. Johann Sebastian Bach, Fugue in G minor ; 83. Johann Sebastian Bach, Das wohltemperirte Clavier (The Well-Tempered Keyboard), Book 1 ; a) Prelude No. 1 in C ; b) Fugue No. 24 in B minor ; 84. Johann Sebastian Bach, French Suite No. 5 in G ; 85. Francois Couperin, Le rossignol en amour and Rossignol double ; 86. Johann Sebastian Bach, Brandenburg Concerto No. 5 in D ; 87. George Frideric Handel, Giulio Cesare in Egitto, Act 1, Scene 3, Empio, diro, tu sei (Evil you are, I say) ; 88. George Frideric Handel, Israel in Egypt, Selections from Part 2 ; 89. George Frideric Handel, an example of self-borrowing ; a) No, di voi non vo' fidarmi, Movement 1 ; b) Messiah, Part 1, For unto us a Child is born ; 90. Johann Sebastian Bach, Christ lag in Todesbanden, (Christ lay in the bonds of death) ; 91. Johann Sebastian Bach, St. Matthew Passion, Opening Chorus ; 92. Domenico Scarlatti, Two Keyboard Sonatas: ; a) Sonata in G, K. 105 ; b) Sonata in F minor, K. 481 ; Source Notes ; Index of Names ; Index of Terms

Additional information

CIN0199768250G
9780199768257
0199768250
Oxford Anthology of Western Music: Volume One: The Earliest Notations to the Early Eighteenth Century by David J. Rothenberg (Associate Professor of Music, Case Western Reserve University)
Used - Good
Hardback
Oxford University Press Inc
20120607
544
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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