Chapter 1: Exchange Between Art Worlds and Political Worlds I. Necessarily Cumbersome Terminology II. Perennial Questions of Performance and Politics III. Sociology, Critical Theory, Politics, and Representation IV. An Exclusive Model for the Intersection of Politics and Performance V. Methodology VI. Historical Examples of the Intersection of Activism and Institutional Performance Chapter 2: Political Insiders and Art: Activist Performance in the 1990s I. Activism II. The Demonstration as Performance III. Activist Performance IV. Activist Performance and Institutional Performance Chapter 3: Theater Insiders and Politics: Miss Saigon, Commercial Theater, Professional Actors, and Activism I. Commercial Theater, Politics, and Representation II. The Politics of Miss Saigon III. A Tradition of Activism IV. Activism Goes to the Theater: The Miss Saigon Controversies Analyzed V. Negotiation of Political Activism by Professional Actors Chapter 4: Artist-Activists and Blurring Boundaries: Karen Finley, John Fleck, Holly Hughes, and Tim Miller I. Performance Art, Institutional Performance, and Politics II. The Activist Performance of the NEA Four III. Artist-Activists and the National Political Discourse: The NEA Controversies Conclusion Appendix: Chronology of Major Events Pertaining to the Cases Bibliography Index
