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Sydney Moderns:Art for a New World Deborah Edwards

Sydney Moderns:Art for a New World By Deborah Edwards

Sydney Moderns:Art for a New World by Deborah Edwards


$137.99
Condition - Like New
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Summary

This important new book looks at one of the most distinctive periods in the history of Australian art, bracketed between the two world wars from 1915 into the 1940s. The Sydney moderns were progressive artists at the forefront of the development of modernism in Australia.

Sydney Moderns:Art for a New World Summary

Sydney Moderns:Art for a New World: Art for a New World by Deborah Edwards

This important new book looks at one of the most distinctive periods in the history of Australian art, bracketed between the two world wars from 1915 into the 1940s. The Sydney moderns were progressive artists at the forefront of the development of modernism in Australia. They produced exuberant, cosmopolitan paintings, prints, sculptures, designs and applied arts in response to and as part of the changing modern world and the international modernist movement. Artists include Ralph Balson, Harold Cazneaux, Grace Cossington Smith, Roy de Maistre, Margaret Preston, Thea Proctor and Roland Wakelin, amongst many others. Sydney Moderns comprises artworks from the Gallery's collection, as well as other public and private collections. In addition to paintings, prints and sculpture, it includes design and fashion, integral to the modernist project. There are five major essays by Deborah Edwards, Denise Mimmocchi and Terence Maloon and 35 focus essays which spotlight key artists and themes.

Additional information

GOR013768539
9781741740974
1741740975
Sydney Moderns:Art for a New World: Art for a New World by Deborah Edwards
Used - Like New
Hardback
Art Gallery of New South Wales
2013-08-01
328
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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