Winner of the 2019 Robert S. Liebert Award (established jointly by the Association for Psychoanalytic Medicine and the Columbia University Center for Psychoanalytic Training and Research) In the final years of the 19th century, Sigmund Freud began to construct evidence for the workings of an unconscious. On Dangerous Ground offers an innovative assessment of the complex role that his encounters with visual culturesarchitecture, objects from earlier cultural epochs (antiquities), paintings, and illustrated booksplayed in that process. Diane ODonoghue introduces, often using unpublished archival sources, the ways in which material phenomena profoundly informed Freuds decisions about what would, and would not, constitute the workings of an inner life. By returning to view content that Freud treated as forgettable, as distinct from repressed, ODonoghue shows us a realm of experiences that Freud wished to remove from psychical meaning. These erasures form an amnesic core within Freuds psychoanalytic project, an absence that includes difficult aspects of his life narrative, beginning with the dislocations of his early childhood that he declared not worth remembering. What is made visible here is far from the inconsequential surface of experience; rather, we are shown a dangerous ground that exceeds the limits of what Freud wished to include within his early model of mind. In Freuds relation to visual cultures we find clues to what he attempted, in crafting his unconscious, to remove from sight.